“You don’t have to convince yourself that a mandarin orange exists, you have to forget that it does not exist.” (Haemi, when explaining the art of pantomime in “Burning”).
In Chang-dong Lee’s film “Burning”, Jongsoo (Ah-In Yoo) is a country lad who rekindles friendship and begins a romance with Haemi (Jong-seo Jeon), a girl from his childhood, only then to discover that Haemi vanishes soon after meeting the handsome and wealthy Ben (Steven Yeun). “Burning”, which received much praise at the Cannes Film Festival 2018, is the kind of a film commenting on which people would pride themselves by saying that they liked it, only for others to secretly tell themselves that they do not. Slow-moving or “burning” films with intricate psychological character studies and with unhealthy doses of inexplicability are fashionable nowadays, and, in that vein, “Burning” also would like to take its place among this elite unfathomable group of films. However, the result is a clumsy, uncompelling and excruciatingly tedious film that is as much of a mystery as any non-mystery and that has as much high tension as waiting patiently for a catch when fishing (only then, predictably, not catch anything substantial at the end of the day).