I missed writing the kind of posts where I preview films to be released at some future date (I previously wrote only three such instalments, one in 2015, one in 2016, and one in 2017). Now, I am talking about three films I am excited to watch in 2021, and all three of them are based on books – Paul Greengrass’s News of the World, Ridley Scott’s The Last Duel and Adrian Lyne’s Deep Water.
News of the World (2021)
Story: Based on a novel by Paulette Jiles, this film tells the story of Captain Kidd (Tom Hanks) who, in the year of 1870, travels across the US, spreading “the news of the world” to people. When he comes across a little girl, who has recently been an Indian native and is now left abandoned and homeless, he decides to take charge of her and return her to her real family in South Texas. The issue for the Captain, though, is that Johanna still considers herself a Kiowa, an Indian native, and, as the two travel together, they soon discover many things that bond them in the increasingly hostile and threatening world around them.
“This is not the sort of film you “like” or “don’t like”. It’s a film that you experience – and then live with” (Matt Zoller Seitz).
“…wandering here over the desolate mountains – what an absurd situation!…I knew well, of course, that the greatest sin against God was despair; but the silence of God was something I could not fathom” (Rodrigues [Endo: 90]).
Martin Scorsese’s 28-years’ “passion” project culminated in the film “Silence“, based on the acclaimed novel by Shusaku Endo. The film is about two 17th century Portuguese Catholic priests, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver) who decide to travel to Japan in search of their former mentor, Father Ferreira (Liam Neeson), who, most believe, betrayed his holy cause in the foreign land. Touching delicate moral and religious issues, the film is powerful both in its vision and in its message, achieving its desired cinematographic goal to awe, thanks to Scorsese’s dedicated and masterful direction, breath-taking cinematography and inspiring original material. Although the plot is uncomplicated and could even be considered “thin”, underneath every action and thought of the main character lies (and could be sensed) a myriad of contradictory emotions; culturally-divisive inner turmoil; and dormant causes for the later spiritual/religious re-awakening.