The Academy Awards have always had a very difficult relationship with experimental and artistic films or with filmsd‘auteur, but, nevertheless, below are five films that should have received at least a Best Foreign Film nomination by the Academy (if not a win) and were unjustly ignored. I am listing only the films that were officially submitted by their respective countries for consideration.
I. Wings of Desire
The Academy ignoring of Wim Wenders’s masterpiece Wings of Desire in 1988 now sounds like a crime. Was this film really worse than for example Course Completed (Spain) or The Family (Italy) that were nominated in that year? No, it was probably simply too artistic and complex to understand for the Academy. A philosophically entrancing cinematic experience, Wings of Desire tells of two angels in Berlin who observe the behaviour of people around them and things take a more complicating turn when they slowly realise that they can no longer be just impartial observers.
This cinematic debut by Soviet director Andrei Tarkovsky must be one of the greatest film debuts ever. Thematically significant, visually poetic and unbelievably touching, it tells the story of a twelve-year old boy during the World War II whose zeal to be part of the Red Army fighting the Nazis gains him the admiration of all men around him. The Soviet Union submitted this film for consideration for the 36th Academy Awards and it was unjustly ignored, with the Academy, surprisingly – if not shockingly, nominating such films as Los Tarantos (Spain) and Twin Sisters of Kyoto (Japan) over Ivan’s Childhood. Incidentally, the country’s anti-war masterpiece Come and See  was also later bypassed by the Academy.
“All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart.” (Andrei Tarkovsky)
Andrei Tarkovsky (1932 – 1986) was a Soviet director and screenwriter known for his cinematic masterpieces, including Solaris , Stalker and his debut Ivan’s Childhood . He inspired generations of film-makers, and Steven Dillon, a film historian, even went so far as to say that “much of subsequent film” was influenced by Tarkovsky’s work. Always favouring long takes, Tarkovsky belonged to a group of film-makers (for example, others are Robert Bresson (Pickpocket ) and Yasujiro Ozu (Tokyo Story )),that explored spirituality, the transcendental and the metaphysical on film, often focusing on morality or religion, and sometimes employing certain very vivid imagery to convey that. A list of films that were inspired by Tarkovsky’s work in some way or another will probably be never ending, but here I would like to focus on just five of them. Another thing to note is that Andrei Tarkovsky himself drew influence from such directors as Ingmar Bergman, Luis Buñuel andAkira Kurosawa, and this list is not to disparage any of the films listed, which are very good, but to simply draw similarities with Tarkovsky’s work and style.
Lars von Trier’s Melancholia is a work of beauty. Sublime and thought-provoking, Melancholia focuses on one well-to-do family that starts getting to grips with the fact that the end of the world may be near. Another planet is on the collision course with Earth and members of this family, who have a straining relationship with each other, respond differently to the news. Tarkovsky’s influence (including almost his entire filmography) can be seen or felt in almost every other shot of Lars von Trier’s 2011 work.
It will be a crime not to begin this list with Andrei Tarkovsky’s masterpiece “Andrei Rublev“. A paragraph will not be sufficient to do justice to this largely black-and-white film which lasts around three hours, and, in some way, it is a difficult watch. Andrei Rublev was a 15th century icon painter living in medieval Russia, and the film follows his journey as he leaves Andronikov Monastery with two other monks, travelling to Moscow. What follows is the depiction of medieval Russian rituals, Tatars’ invasion, Andrei’s attempts to protect a simple-minded girl, among others events. Some stunning iconography by Rublev is also on display, including “The Holy Trinity” and “Christ, the Redeemer“, at the end. “Andrei Rublev” is a complex work of art which masterfully conveys the messages on morality, religion and artistic freedom. On such a film, one can simply say that it is not merely a movie but one of a kind cinematic experience.
2. Seraphine (2008)
This film, which is based on a true story of Seraphine Louis and which won 7 Cesar Awards, is an exquisite and quietly powerful portrayal of an awakening painter. Seraphine (Yolande Moreau) is a naively eccentric, deeply religious woman devoid of social graces and who works as a cleaner in a house in Senlis, France. When a new tenant from Germany, Mr. Uhde, an art expert, arrives to stay at the house he is impressed by Seraphine’s natures mortes. A convincing performance by the leading actress makes this film poignant and heart-felt, even if it is overlong. This interesting story is proof that an artistic genius can be found even in most unexpected of places. Continue reading 20 Fascinating Films about Visual Art