Tag Archives: Black Swan

10 Fascinating Films Exploring Mother-Daughter Relationship

Today (11th) is Mother’s Day in the UK, and I am exploring a mother-daughter relationship on screen. At times, this relationship is sweet and inspiring, at other times – it is challenging and even devastating. Recent films that explore (partially or otherwise) a mother-daughter relationship include “Lady Bird” and “I, Tonya”, and the question arises – what other movies do the same? In no particular order:

Terms of Endeartment PosterI. Terms of Endearment (1983)  

This is a comical tearjerker of a movie about the relationship of a mother and her daughter (Shirley MacLaine and Debra Winger), and its enduring nature. Underneath, the movie is about many things, such as accepting people for who they are and making peace. The film also features the performance from Jack Nicholson.  

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Mildren PierceII. Mildred Pierce (1945) 

 The film perhaps shows a more destructive mother-daughter relationship, but a relationship neverthelessJoan Crawford gives an outstanding performance as the mother of a spoiled daughter Veda (Ann Blyth) who only thinks about social-climbing and is ashamed of her mother’s blue-collar profession. Will there be a time when Veda goes too far and Mildred snaps?  

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“Perfect Blue” (1997) vs. “Black Swan” (2010): Is Aronofsky’s Black Swan Perfectly Blue?

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Darren Aronofsky’s 2010 feature “Black Swan” is an Academy Award-nominated film, telling the story of a young ballerina Nina Sayers, whose transformation from a shy ballet dancer to a leading heroine ballerina of Tchaikovsky’s “Swan Lake” production causes a psycho-sexual breakdown. “Perfect Blue” is a 1997 Japanese animated movie based on a novel by Yoshikazu Takeuchi, telling the story of Mima Kirigoe, whose rapid descent from an admired pop-idol into a “tarnished” rookie actress has disastrous consequences. 

In this piece, I will compare the two films closely, arguing that the two films share substantial similarities in terms of the plot, character, style, design, execution and the little details, pointing to the conclusion that “Perfect Blue” was – at the very least – the direct and main inspiration for “Black Swan” (and even something much more than that), though Aronofsky himself denied the claim. Going further, the similarities are so striking that it could even be said that Aronofsky essentially re-made “Perfect Blue”, but changed the setting to a ballet, and re-modelled some characters, disguising them as others. 

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“Black Swan” Review

Black Swan (2010)   

**SPOILER ALERT**

Directed by Darren Aronofsky (‘Requiem for a Dream’ (2000)), ‘Black Swan’ is an ambitious psychological horror film promising to submerge the viewer into the world of classical ballet, game of sexual seduction and pure psychological delirium, but has it delivered? 

In ‘Black Swan’, Natalie Portman plays Nina, a ballet dancer in a respected dance company headed by Thomas Leroy (Vincent Cassel). Leroy is to stage a new production of ‘Swan Lake’, and chooses Nina as his Swan Queen. Although Leroy is sure that Nina can dance the beautiful, fragile and innocent White Swan, he is not convinced that she can dance the Black Swan, who is a confident, strong, seductive and lustful ‘twin’ of the White Swan. There is also another ballerina in the company, named Lily (Mila Kunis), who seems to fit the Black Swan image perfectly. She is more in-tune with her sensual nature and is more relaxed on stage than Nina. There is also Beth Macintyre (Winona Ryder), a retiring ballerina, who is both the source of Nina’s inspiration and a warning for her. As Nina’s debut in ‘Swan Lake’ approaches, Nina’s domineering mother (Barbara Hershey) exert more and more pressure on her, and Nina’s acquaintance with Lily produces some unexpected results, leading to Nina’s rapid physical and psychological breakdown/metamorphosis.

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