The Wife (2018)
There is a saying that behind every successful man there is a woman, and “The Wife” exemplifies this saying like no other film. More often than not, society concerns itself with appearances, and people often only see what the façade presents – be it in relation to a relationship or a family. What is going on behind closed doors or what people may feel inside may be another matter altogether. “The Wife” is just that thought-provoking film that deals with this and other issues. Based on a novel of the same name by Meg Wolitzer, the movie is about a married couple Joe and Joan Castleman (Jonathan Pryce and Glenn Close) who receive rather exciting news – Joe is to be given a Nobel Prize for Literature. The duo, together with their son David, travel to Stockholm to receive this honour, and while there, both Jo and Joan experience a crisis of faith, and one big secret of their lives comes dangerously close to being unravelled. The film has its faults, but Glenn Close’s performance ensures that the film is sincere and convincing. If the first part of the film is this slightly mysterious story of whether there is something wrong in the happy marriage and the professional lives of Joe and Joan, than the second half is all about unsaid things emerging and letting themselves be known.
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I. Metropolis (1927)
“Metropolis” is a famous German expressionist science-fiction film by Fritz Lang. However, some may not know that Lang’s wife – Thea von Harbou – actually first wrote the book “Metropolis” which then became a movie. Von Harbou wrote the book with the intention for it to become a movie, but this does not detract from the fact that once “Metropolis” was a book. The production was along the lines of – the novel – the script – the movie, giving strength to the idea that all great things flow from books.
II. Requiem for a Dream (2000)
“Requiem for a Dream” is an infamous in its depressing content and visual presentation film by Darren Aronofsky, which follows a number of lives in Brighton Beach. In this film, drug addiction and hopelessness fuse, and the soundtrack by Clint Mansell stressed the never-ending-drug-loop and the illusion of happiness. However, the script is actually based on the 1978 novel of the same name by Hubert Selby Jr. The book and the movie should be viewed as being even more chilling since Selby drew from his own traumatic past experience, including his relationship with drugs, when penning his book. Continue reading “10 Films You May Not Know Were Based on a Book – Part II”
I. The Prestige (2006)
Secrets to magicians’ tricks are often mundane – it is the way those tricks are performed which makes all the difference. Christopher Nolan’s “The Prestige” is a complex, clever film about two magicians competing against each other in the 19th century, but the film is actually based on a Christopher Priest’s 1995 novel of the same name. The novel starts in the present time, but, as in the film, we are being fooled and do not realise that we have had all the clues to the puzzle in front of us at the beginning. Whatever you thought was clever in Nolan’s film – the chances are that it is also in the novel.
II. Drive (2011)
Nicolas Winding Refn may have directed this stunning film and Hossein Amini (“Two Faces of January” (2014)) penned the script, but “Drive” is based on James Sallis’s 2005 novel of the same name. In fact, allegedly, the “Drive” producers first encountered the story by chance in Publishers Weekly. In the book, as in the film, it is the intriguing character study which becomes the focus. The merit should go to Refn for visionary creative choices, but the film was fledged out of the already existing story, which also feels strangely nostalgic for the decades long past. Continue reading “10 Films You May Not Know Were Based on a Book – Part I”
1. “The Goldfinch” by Donna Tartt
Donna Tartt’s “The Goldfinch” is the number one international best-seller which won the prestigious Pulitzer Prize for Fiction in 2014. The story of a boy who lost his mother in a tragic event and who then clings to the only object that reminds him of her – the picture of a goldfinch is really the masterpiece (as was also called so by some critics), and Tartt was even compared to Dickens. The story is very emotionally-powerful and detailed, even though the second part is weaker than the first. What of the movie, then? The film is scheduled for 2019; will be directed by John Crowley (“Brooklyn” (2015)); and will star Ansel Elgort (“Baby Driver” (2017)) as the main character Theo. Why the film could prove to be a total disaster? There are many reasons. Though Elgort will probably look good as Theo, it will be next to impossible to capture the magic of the book. In the book, Theo battles internally with grief and trauma which are barely perceivable, and no film would really match the masterly of capturing the internal dilemmas of the main character in the book, not even considering all the philosophical references implicit in the book’s narrative structure. It does not also help that the book is around 860 pages long and spans many years. More so, the film could really tarnish the captivating narrative of the book for good. Why even try?
Continue reading “5 Forthcoming Book-to-Film Adaptations that Can Go Very Wrong”
1. “The Bonfire of the Vanities” by Tom Wolfe
This 1987 book really is a modern classic; full of wit, satire and gripping narrative twirls. The book really epitomises everything that the 1980s stood for in the US, and was a giant critical success, becoming a bestseller. The hero here is one Sherman McCoy, a highly-paid Wall Street bond trader and a self-proclaimed “Master of the Universe”, who has it all, until one day, similar to his antecedent in “The Great Gatsby”, one accident ensures his dramatic fall from grace.
What, then, do we have by way of a film adaptation? An almost meaningless and very unfaithful adaptation titled, as the novel, “The Bonfire of the Vanities” (1990), which was neither funny (as was intended) nor convincing. Director Brian De Palma went for a black comedy effect, instead of a sumptuous drama, and crafted an atrocious film where the majority of the actors were also miscast.
Continue reading “5 Books that Deserved Better Film Adaptations”
This list features book-to-film adaptations where either the film director or book author (or both) was female. This list excludes Jane Austen & Bronte sisters’ adaptations  to draw attention to other novels/stories. In no particular order:
1) To Kill a Mockingbird (1962): Harper Lee, author
2) The Virgin Suicides (1999): Sofia Coppola, director
3) The Talented Mr Ripley (1999): Patricia Highsmith, author
4) Chocolat (2000): Joanne Harris, author
5) Oscar & Lucinda (1997): Gillian Armstrong, director
Continue reading “Girl Power: 20 Great Book-to-Film Adaptations”
The Year of Living Dangerously (1982)
Peter Weir’s ‘The Year of Living Dangerously’, starring Mel Gibson, Sigourney Weaver and Linda Hunt, is an underrated romantic drama set in the backdrop to Indonesia’s political unrest in the mid-1960s when the country was making its transition to the so-called ‘New Order’. The film, based on the novel by Christopher Koch, was, therefore, banned in Indonesia until 1999.
By way of the introduction, the film quickly centres on Guy Hamilton (Mel Gibson), a young, somewhat idealistic Australian journalist sent to Indonesia on the mission to gather in-depth information on the politically-unstable country, then governed by President Sukarno. While there, Guy strikes friendship with Billy Kwan (Linda Hunt), a cameraman, who supports Guy and helps him to gather intelligence for his articles through his personal contacts. Soon, Guy becomes romantically involved with Jill Bryant (Sigourney Weaver), a British Embassy officer. As the situation in Indonesia worsens and Guy and Jill’s attachment deepens, the audience witnesses personal tragedies and new-found joys unfold.
Continue reading ““The Year of Living Dangerously” Review”