Today (8th of March) is the International Women’s Day, and I think it is perfect time to celebrate female directors and their achievements. Therefore, I am taking this opportunity to present 10 films by 9 great female directors which I previously reviewed on this website. There is a lot of talent when it comes to women directors, and I am glad that this year the following women are receiving their recognition: Regina King (One Night in Miami), Chloé Zhao (Nomadland) and Kelly Reichardt (First Cow). Some of my favourite female directors also include Jane Campion, Claire Denis and Sofia Coppola, and I previously made posts on Maya Deren and Lynne Ramsay (You Were Never Really Here). This year, I am also planning to draw attention to the following female directors on my blog: Penny Marshall, Chinonye Chukwu (Clemency) and Lucile Hadžihalilović (Evolution).Continue reading 10 Films Directed by Women
Little Women (1994)
It is Christmas eve, and while I want to wish all my readers a very Merry Christmas, I thought I would also review one of the films that could make Christmas all the merrier. In 1993, Gillian Armstrong (“Oscar and Lucinda” (1997)) directed just yet another, as everyone then thought, adaptation of the famous novel by Louisa May Alcott “Little Women”. Based on the true-to-the novel script by Robin Swicord (“Wakefield” (2016)), the film stars such great names as Susan Sarandon, Winona Ryder, Gabriel Byrne, Kirsten Dunst and Christian Bale. The story is about four girls of the March family and their modest, but interesting lives in times of the Civil War in the US. A very much Christmas movie, Armstrong’s “Little Women” perfectly conveys the heart-warming camaraderie of the four girls, telling of their lives’ ups and downs as they try to find their way in the world torn by hardship.
This list features book-to-film adaptations where either the film director or book author (or both) was female. This list excludes Jane Austen & Bronte sisters’ adaptations  to draw attention to other novels/stories. In no particular order:
1) To Kill a Mockingbird (1962): Harper Lee, author
2) The Virgin Suicides (1999): Sofia Coppola, director
3) The Talented Mr Ripley (1999): Patricia Highsmith, author
4) Chocolat (2000): Joanne Harris, author
5) Oscar & Lucinda (1997): Gillian Armstrong, director
‘Oscar and Lucinda’ is based on the novel by Peter Carey and tells the story of a young Australian heiress, Lucinda Leplastrier (Cate Blanchett) with the passion for glass and gambling who meets an Anglican priest, Oscar Hopkins (Ralph Fiennes), who has the same obsessions. The two soon strike up a close friendship, because they share the same trait of being quite unfit to live in the society as they know it due to their oddities and gambling compulsions. However, their increasing closeness soon puts to the test their obsession limits. This film directed by Gillian Armstrong (‘Little Women’ (1994)) is almost as odd and unique as its main characters. Rapidly going from comic to romantic, and ending up being tragic, the film covers almost every genre without losing its eccentricity. However, the film’s ‘strangeness’ and unusual style may be attributed to Carey book’s content and style. The book’s narrative is more factual than descriptive, and has many ambiguous paragraphs and references.