3 Russian “Fairy Tale” Animations

Previously I made this list where I talked about some Russian winter animations, so today I thought I would talk about other examples from the Russian/Soviet animation history. The three animations below were all made by the Soyuzmultfilm Studio between 1947 and 1964, and are good examples of animations made for children in the USSR that are based on fairy tales.

I. The Scarlet Flower [1952]

This animation is based on a story of 1858 by Sergei Aksakov who, in turn, re-worked the tale of Beauty and the Beast . In The Scarlet Flower, three daughters of one wealthy merchant request from their father overseas presents. The eldest daughter wants a diamond tiara, the middle daughter – a mirror that only shows the beauty of a person looking in it, and the youngest, Nastenka, says that she wants the Scarlet Flower. The father gets the presents for his two daughters in his travels, and the present for Nastenka he picks in the surroundings of one strange, enchanted castle. The hidden master of the castle is so angry at the father for taking the Scarlet Flower that he demands that the father sends one of his daughters to him.

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Recently Watched: Films: The Red Shoes (1948), West Side Story (1961) & Black Narcissus (1947)

220px-The_Red_Shoes_(1948_movie_poster)I. The Red Shoes (1948)

The Red Shoes is about the rise to stardom of a dancer Victoria Page (Moira Shearer) who falls under the strict control of one charismatic, but elusive and mysterious company director Boris Lermontov (Anton Walbrook). Page becomes truly famous after appearing in Lermontov’s ballet “The Red Shoes”, but soon finds herself torn between her new love – composer of “The Red Shoes” – Julian Craster (Marius Goring) and her professional life. The film is brilliant in terms of cinematography, camera-movements and visual impact. The beautifully-designed production and the ballet, that incorporates a story of one girl whose red shoes take control over her life, are memorable. The film also makes certain observations on the creative process of a theatre/ballet production, and on art and artistic input. It asks – what price a person will be willing to pay for the sake of artistic glory and full professional realisation in theatre/ballet? The story of one girl whose red shoes control her (a Hans Christian Andersen fairy-tale) mirrors the story of Victoria Page who, ultimately, has to choose between her romantic interest and her blind devotion to the demands of the man behind the “The Red Shoes” genius – Boris Lermontov. 

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Russian* Winter Animations

I hope everyone had a very Merry Christmas, and I would like to wish all my readers and followers a very Happy New Year! It is that time of the year when one would like to come home, make a hot cocoa, switch on the TV and cosily tuck themselves under a duvet. Then, what better way to spend winter holidays than by watching some wonderful winter-themed animations? Below are three classic Russian-language animations from the Soyuzmultfilm Studio.

Snegurochka Poster2

I. Snegurochka (The Snow-Maiden) [1952]

Drawn from the Russian folklore and based on the opera by Nikolai Rimsky-Korsakov (previously also based on the play (1873) by Alexander Ostrovsky), this is the tale of Snegurochka or the Snow-Maiden, the daughter of Spring Beauty and Grandfather Frost. The Snow-Maiden, who has to shun direct sunshine because her natural abode is winter and frost, decides that she wants to spend some time in the company of humans, and is adopted by Bobyl-Bakula and his wife. What follows is the Snow Maiden’s life in a rural village among people there, and one can glimpse from that Russian traditions as the tale of one stunning beauty unsettling the whole village unfolds. The Snow-Maiden meets Lel, a youth with a talent for music, and is wooed to marriage by a reckless man Mizgir, previously a fiance of a local girl Kupava. The animation stands out because of its beauty and music (magnificent vocals). Most elements of this animation-opera are exquisitely drawn, especially the background. The story is sad, but also rather moving as it tells of the Snow-Maiden’s desire to experience/feel love at whatever cost; see the animation here

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