“I, Daniel Blake” Review

I, Daniel Blake (2016)

Winner of the Palme d’Or at the Cannes Film Festival, Ken Loach’s I, Daniel Blake is a kind of film whose theme of the individual vs. the system, brutal honesty and underlying power make it a compulsory watch for everyone. The story centres on Daniel Blake (Dave Johns), a 59-year old widowed carpenter living in the UK, who is forced to rely on the benefits system (welfare system) to support himself after his doctor diagnosed him with heart problems. What follows is his experience being part of that system where a person is just a number and where there is little place for basic human understanding and compassion. All this may sound mundane and even dull, but the film is anything but that. Under Loach’s nuanced direction, we follow Blake as he makes friends with a single mother Katie (Hayley Squires) and does everything in his power to make his own and others’ lives bearable. The true power of this gentle, realistic film that displays the kindness of others and human hope, lies in showing ordinary people struggling on a daily basis against the system that is paradoxically designed to keep them in the same miserable place.

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BAFTA Awards 2017

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Yesterday, on 12 February 2017, the British Academy of Film and Television Arts (BAFTA) presented its 70th British Academy Film Awards. Hosted in the Royal Albert Hall in London, the ceremony was attended by the Duke and Duchess of Cambridge and presented by a comedian and actor Stephen Fry (“V for Vendetta” (2005)). The ceremony was particularly impressive this year, with the great British humour all around, and a fierce high film competition, which, although could have been even more diverse, was, nevertheless, inclusive of so many great foreign productions. Here, I will comment on the Best Picture, Actor/Actress, Supporting Actor/Actress, Foreign-Language Film, Documentary and Animation Award winners. 

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