Speakeasy and Silver Screenings are presenting The Food in Film Blogathon, and I thought I must participate since food in films has always fascinated me. Food can be used sensually in a movie, as in “Como Agua Para Chocolate” (1992), in “I Am Love” (2009) or even in “The Lunchbox” (2013), or it can be used morbidly, as in “Rope” (1948), among other purposes and expressions. But, in many films, it seems to inexplicably connect main characters, and my choice of a film is exactly the one where food functions as such. In the Italian-language film “Facing Windows“, food does not play a leading role, but it does provide a point of connection between the main characters, becomes one of the components of a hidden passion, and symbolises the idea of remaining true to oneself, one’s origin and one’s beliefs.
Facing Windows (2003)
In this film, Giovanna (Giovanna Mezzogiorno) and her husband Filippo (Filippo Nigro) stumble upon an amnesiac man, Simone (Massimo Girotti), while out, and take him to their home. Simone only remembers a name “Simone” and a particular neighbourhood in Rome. While Giovanna gets entangled into Simone’s mysteries, she also becomes infatuated with the neighbour whose windows are just opposite hers, handsome bachelor Lorenzo (Raoul Bova), and the duo soon pursue the mystery behind Simone’s true identity together. Coming from Turkish director Ferzan Ozpetek, this film is a gem of the Italian-language cinema. It is an emotionally-moving, mystery-filled film, which also provides an in-depth character study. While the story here is interesting and poignant, the film is also beautifully presented, with aesthetically-pleasing shots and a very memorable, melancholy-inducing soundtrack, most of which is written by Andrea Guerra (“Hotel Rwanda” (2004)).