Tag Archives: Lars Von Trier

5 Films That Were So Evidently Influenced by Andrei Tarkovsky

All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart.” (Andrei Tarkovsky)

Andrei Tarkovsky (1932 – 1986) was a Soviet director and screenwriter known for his cinematic masterpieces, including Solaris [1972], Stalker [1979] and his debut Ivan’s Childhood [1962]. He inspired generations of film-makers, and Steven Dillon, a film historian, even went so far as to say that “much of subsequent film” was influenced by Tarkovsky’s work. Always favouring long takes, Tarkovsky belonged to a group of film-makers (for example, others are Robert Bresson (Pickpocket [1959]) and Yasujiro Ozu (Tokyo Story [1953])),that explored spirituality, the transcendental and the metaphysical on film, often focusing on morality or religion, and sometimes employing certain very vivid imagery to convey that. A list of films that were inspired by Tarkovsky’s work in some way or another will probably be never ending, but here I would like to focus on just five of them. Another thing to note is that Andrei Tarkovsky himself drew influence from such directors as Ingmar Bergman, Luis Buñuel and Akira Kurosawa, and this list is not to disparage any of the films listed, which are very good, but to simply draw similarities with Tarkovsky’s work and style.

I. Melancholia [2011] by Lars von Trier

Lars von Trier’s Melancholia is a work of beauty. Sublime and thought-provoking, Melancholia focuses on one well-to-do family that starts getting to grips with the fact that the end of the world may be near. Another planet is on the collision course with Earth and members of this family, who have a straining relationship with each other, respond differently to the news. Tarkovsky’s influence (including almost his entire filmography) can be seen or felt in almost every other shot of Lars von Trier’s 2011 work.

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“Antichrist” Review

Antichrist (2009)

Coming from Danish director Lars Von Trier (‘Dancer in the Dark’ (2000), ‘Dogville’ (2003)), this controversial film promises to be anything but an easy ride. Hailed in Denmark a masterpiece overnight, ‘Antichrist’ became a bloody ‘conundrum’ abroad. The film follows a guilt-driven/grief-ridden couple (He & She) as they retreat into a cabin in the woods, trying hard to combat both their grief in relation to their lost child and their inexplicable fears. As they face each other and their surrounding environment deep in the woods, they soon realise that their retreat is far from being therapeutic.

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“Melancholia” Review

Melancholia (2011)

 **SPOILER ALERT**

‘Melancholia’ will either be loved or hated. There is no “in-between”. The film is certain to awaken something in the viewer, be it some inexplicable feelings of unease or awe. However, given that this film is directed by no other than Lars Von Trier (a Danish director known for its controversial films, e.g. ‘Antichrist (2009)) and who once said that “a film should be like a rock in the shoe”, nothing less is expected.

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