It’s Only the End of the World (2016)
This is my second post for the amazing O Canada! Blogathon hosted by Ruth of Silver Screenings and Kristina of Speakeasy (check out some of the amazing entries here).
“There I was…after twelve years of absence, and in spite of my fear, I was going to visit them. In life, there are a number of motivations…that force you to leave, without looking back. And there are just as many motivations that force you to return. So after all those years, I decided to retrace my steps. Take the journey…to announce my death.” Such are the thoughts of a young man named Louis (Gaspard Ulliel) as he takes a plane journey to visit his estranged family after twelve years of absence. Louis suffers from a terminal illness, which means that death is at his doorstep. Few directors working today can convey the depth of emotion through a cinematic lense as masterfully as Xavier Dolan can, and “It’s Only the End of the World” is yet another film which is a proof of that statement. In this movie, Dolan demonstrates that he can exercise visual restraint, but “It’s Only the End of the World” still ends up being as potent, emotionally-moving and convincing as his previous work.
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Ruth of Silver Screenings and Kristina of Speakeasy are hosting the O Canada! Blogathon to celebrate all things Canada in film and TV, and I thought I would contribute because Canadian cinematography is close to my heart. It has always tried to be different and often experimented. Xavier Dolan, my choice for this blogathon, is no different. He is a Montreal, Quebec-born film director who produced his first major film “I Killed My Mother” (2009), that received numerous awards, at the age of 20, and who then went to direct five other award-winning films with his seventh film “The Death and Life of John F. Donovan” (2018) currently being in production. I will focus on two of his films: “Laurence Anyways” (2012) and “It’s Only the End of the World” (2016).
Laurence Anyways (2012)
Xavier Dolan writes unusual films with equally unusual presentations, but his stories are always full of much humanity and bare human emotion, and, thus, they are always very relatable. “Laurence Anyways” is one of those movies. It is a beautiful and daring French-language film about the enduring power of love that trespasses the boundaries of societal conventions.
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