I. The Red Shoes (1948)
The Red Shoes is about the rise to stardom of a dancer Victoria Page (Moira Shearer) who falls under the strict control of one charismatic, but elusive and mysterious company director Boris Lermontov (Anton Walbrook). Page becomes truly famous after appearing in Lermontov’s ballet “The Red Shoes”, but soon finds herself torn between her new love – composer of “The Red Shoes” – Julian Craster (Marius Goring) and her professional life. The film is brilliant in terms of cinematography, camera-movements and visual impact. The beautifully-designed production and the ballet, that incorporates a story of one girl whose red shoes take control over her life, are memorable. The film also makes certain observations on the creative process of a theatre/ballet production, and on art and artistic input. It asks – what price a person will be willing to pay for the sake of artistic glory and full professional realisation in theatre/ballet? The story of one girl whose red shoes control her (a Hans Christian Andersen fairy-tale) mirrors the story of Victoria Page who, ultimately, has to choose between her romantic interest and her blind devotion to the demands of the man behind the “The Red Shoes” genius – Boris Lermontov.
Continue reading “Recently Watched: Films: The Red Shoes (1948), West Side Story (1961) & Black Narcissus (1947)”
Critica Retro and Wide Screen World are hosting the Jack Lemmon blogathon, and I thought I would jump in and contribute since Jack Lemmon was such a great actor, and I particularly admire his versatility and dedication to the screen. He was cast in such well-known films as “Some Like It Hot” (1959) and “The Apartment” (1960), but I thought I would talk about the more controversial and serious “Days of Wine and Roses” (1962). I would also like to thank Paul at Paul’s Cinema & TV Reviews for recommending that I watch this film after my previous review of similar-themed “The Lost Weekend” (1945).
Days of Wine and Roses (1962)
“They are not long, the weeping and the laughter,
Love and desire and hate;
I think they have no portion in us after
We pass the gate.
They are not long, the days of wine and roses,
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.” (Ernest Dowson)
The film’s title was taken from this poem by Ernest Dowson, and the film’s story is about Joe Clay (Jack Lemmon), a public-relations man who does not mind to indulge in drinking as part of his job arranging and going to parties. When he meets beautiful Kirsten Arnasen (Lee Remick), both become smitten with each other, and Joe soon introduces Kirsten to the pleasures of drinking by pouring a crème de cocoa in her brandy. After their marriage, however, the pair’s slide into booze-madness gets steeper, and their drinking intensifies, until both of them do not see any way out.
Continue reading “The Jack Lemmon Blogathon: Days of Wine and Roses (1962)”