I. Ship of Fools (1965)
“When I think of the things I have seen on this ship. The stupid cruelties. The vanities. We talk about values? There’re no values. The dung we base our lives on…We are the intelligent, civilized people who carry out orders we are given. No matter what they may be. Our biggest mission in life is to avoid being fools. And we wind up being the biggest fools of all” (Dr Wilhelm Schumann in Ship of Fools).
Based on a novel by Katherine Anne Porter, Ship of Fools tells of a passenger ship sailing from Mexico and bound for Germany. On board, the people are from all walks of life and classes, from a Countess (played by Simone Signoret) who lost everything to desperate Spanish farm workers. They are also one artistic couple having a serious relationship trouble, a middle-aged Nazi sympathiser, an aging southern belle (played by Vivien Leigh), who is in search of “something”, and a troupe of Spanish dancers, among others. The film focuses on each of those in turn, taking rounds, and could be said to represent a series of “film vignettes”, rather than a straightforward plot moving to one cinematic climax. Directed by Stanley Kramer (Look Who’s Coming to Dinner (1967)), who always promoted films with important social issues, Ship of Fools is distinguished by its unusual presentation, incredible cast, and the acting of Simone Signoret and Oskar Werner.Continue reading “Out to Sea: Kramer’s Ship of Fools (1965) & Hitchcock’s Lifeboat (1944)”