I missed writing the kind of posts where I preview films to be released at some future date (I previously wrote only three such instalments, one in 2015, one in 2016, and one in 2017). Now, I am talking about three films I am excited to watch in 2021, and all three of them are based on books – Paul Greengrass’s News of the World, Ridley Scott’s The Last Duel and Adrian Lyne’s Deep Water.
News of the World (2021)
Story: Based on a novel by Paulette Jiles, this film tells the story of Captain Kidd (Tom Hanks) who, in the year of 1870, travels across the US, spreading “the news of the world” to people. When he comes across a little girl, who has recently been an Indian native and is now left abandoned and homeless, he decides to take charge of her and return her to her real family in South Texas. The issue for the Captain, though, is that Johanna still considers herself a Kiowa, an Indian native, and, as the two travel together, they soon discover many things that bond them in the increasingly hostile and threatening world around them.
Being a cultural and historical centre for centuries, Rome has always attracted leading cinematographers. In the 1950s and 1960s, Rome was considered the European “Hollywood”, embodied in the famous Cinecittà film studio that produced such epic films as “Ben-Hur” (1959) and “Cleopatra” (1963). To this day, this historic city remains the one to which filmmakers flock to: (i) showcase its main beauties and cultural delights, as is the case with “Roman Holiday” (1953), ““Plein Soleil” (1961), “My Own Private Idaho” (1991) and “The Talented Mr. Ripley” (1999); (ii) to ridicule Rome’s high society and decadent lifestyle, as in “La Dolce Vita” (1960) and “The Great Beauty” (2013); or (iii) to provide a setting for a grim, chaotic, (post-)war, almost apocalyptic scenario, as embodied in such films as “Rome, Open City” (1945), “Bicycle Thieves” (1948), “L’Eclisse” (1962) and “Il Conformista” (1970).
I. Roman Holiday (1953)
Directed by William Wyler (“Ben-Hur“), this tale about a princess who escapes from her tiresomely busy daily duties while in Rome only to meet and have a romantic connection with a journalist is fascinating, recalling in plot “It Happened One Night” (1934). In Rome, Princess Ann and Joe Bradley (Audrey Hepburn and Gregory Peck in their respective leading roles), go through the famous sights of Rome, including: meeting at the Roman Forum (more precisely at the Temple of Saturn and the Arch of Septimus Severus), where the Princess falls asleep; trying their luck at the Mouth of Truth (Bocca della Verita) at the Basilica di Santa Maria in Cosmedin; going past on a scooter by the Colosseum; having breakfast near the Pantheon; taking in the sun on the Spanish Steps; and attending the interview at the Palazzo Colonna.
This list features book-to-film adaptations where either the film director or book author (or both) was female. This list excludes Jane Austen& Bronte sisters’ adaptations  to draw attention to other novels/stories. In no particular order:
1)To Kill a Mockingbird (1962): Harper Lee, author
2) The Virgin Suicides (1999): Sofia Coppola, director
3) The Talented Mr Ripley (1999): Patricia Highsmith,author