I’m Thinking of Ending Things (2020)
Charlie Kaufman’s newest film is a psychological drama with elements of “magical realism”. In the story, one young woman (Jessie Buckley) travels in a snowstorm with her boyfriend Jake (Jesse Plemons) to meet his parents in their farmhouse. She is one eccentric and “artsy” person who is unsure of her future with her boyfriend and who often receives mysterious messages on her mobile phone. That is all we can be sure of because, the rest, including all the details, is soon called into question as Jake’s parents start behaving oddly and the characters are forced down the memory lane. Unfortunately, all the philosophy, psychology, good acting and the sumptuous cinematography by no other than Łukasz Żal, cinematographer behind Cold War (2018), cannot rescue this latest cinematic riddle by Kaufman. Wrapped in layers upon layers of tedious and predictable poetic and philosophical musings (or rather outbursts), the film becomes bland very early on and no pretty decorative “wrapping” (including all the wonderful design and wallpaper in the film) can hide the fact that, inside, our cinematic “enigma” is one weird mix of different, well-trodden on, pretentious and almost meaningless ideas.
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I. The Red Shoes (1948)
The Red Shoes is about the rise to stardom of a dancer Victoria Page (Moira Shearer) who falls under the strict control of one charismatic, but elusive and mysterious company director Boris Lermontov (Anton Walbrook). Page becomes truly famous after appearing in Lermontov’s ballet “The Red Shoes”, but soon finds herself torn between her new love – composer of “The Red Shoes” – Julian Craster (Marius Goring) and her professional life. The film is brilliant in terms of cinematography, camera-movements and visual impact. The beautifully-designed production and the ballet, that incorporates a story of one girl whose red shoes take control over her life, are memorable. The film also makes certain observations on the creative process of a theatre/ballet production, and on art and artistic input. It asks – what price a person will be willing to pay for the sake of artistic glory and full professional realisation in theatre/ballet? The story of one girl whose red shoes control her (a Hans Christian Andersen fairy-tale) mirrors the story of Victoria Page who, ultimately, has to choose between her romantic interest and her blind devotion to the demands of the man behind the “The Red Shoes” genius – Boris Lermontov.
Continue reading “Recently Watched: Films: The Red Shoes (1948), West Side Story (1961) & Black Narcissus (1947)”