This is a dated article now written by Brandon Kim and posted July 30th, 2010, 2:07 PM [13/09/2014 accessed], but for the fans of Nolan’s “Inception” (2010) who haven’t seen this yet, it will be a very interesting read. “The Edith Piaf song, “Non, Je Ne Regrette Rien” is used by characters in “Inception” as an alarm to wake from dreaming. It’s a lovely touch, but one exploited by composer Hans Zimmer in assembling the film’s entire score.” Here is an audio comparison:

“Technically, Zimmer didn’t just slow the Piaf song down and call it a day, but extracted bits and then used his electroturdmatics to reconstruct a theme in varying “subdivisions and multiplications of the tempo of the Édith Piaf track,” he told [to the magazine]. Normally I’d be restraining myself from using foul language to discuss Zimmer’s approach to creating film scores, but credit where it’s due. I love the idea and the use of Piaf to achieve the encompassing theme. Zimmer is clearly still giddy over the whole thing. “So I could slip into half-time; I could slip into a third of a time,” he said, tripping his balls off over the tempo manipulations he employed to great effect. “Anything could go anywhere. At any moment I could drop into a different level of time.”

Continue reading ““Inception” Score is Edith Piaf Song in Slow Motion” →