I got an idea for this post through winst0lfportal and his animation tag post. Borrowing some questions from it, I created my own tag. I love animations, and am a supporter and promoter of international animations (see my previous posts on Russian, French, Chinese and Japanese animations).
1. Favourite Disney animation?
“Beauty and the Beast” (1991).
2. Favourite non-Disney animation?
It is tempting to say “Spirited Away” (2001), but I have a soft spot for “Howl’s Moving Castle” (2004) and would like to make one day an in-depth comparison between it and “Beauty and the Beast” (1991) (a fun one since both are based on other source materials). I also love the works of Satoshi Kon and Makoto Shinkai.
3. Criminally-underseen animation you recommend to everyone?
“The Illusionist” (2010) is a lovely, heart-warming animation from Sylvain Chomet (“Les triplettes de Belleville” (2003)). In “The Illusionist”, a French illusionist finds himself unemployed and travels to Scotland. There, he meets a young girl and their destinies collide.
Continue reading “The Animation Tag”
The Red Turtle (2016)
“The Red Turtle” is this year’s best animation Oscar nominee that surprised people in a way it masterfully combined visual simplicity and metaphoric depth. The film borrows the theme of Robinson Crusoe to tell the story of a shipwrecked man who experiences both desperation, sorrow and then happiness on an isolated island. The director of this gem is Dutch Michaël Dudok de Wit who partnered with the Japanese Studio Ghibli to produce a wordless, but very meaningful animation which explores the theme of a man’s survival on an island, but also the bigger topics of a man’s place in the universe and his relationship with nature. Given the film’s visual simplicity, it is astounding how much there is to experience here for the viewer. Even if the content of this animation may be described as “thin”, the underling symbolism of the movie guarantees that the audience engages in emotive reflection.
Continue reading ““The Red Turtle” Mini-Review”
“…What drives animation is the will of the characters” (Hayao Miyazaki).
“Only Yesterday” and “Kiki’s Delivery Service” are two completely different in plot animations, but both were produced about the same time by famous Japanese Studio Ghibli, an animation film studio known worldwide for the quality of their animations. While “Only Yesterday” focuses on grown-up concerns and largely targets teenager/adult audience, “Kiki’s Delivery Service” is a completely child-friendly movie, which also has important messages to deliver.
Only Yesterday (1991)
“Only Yesterday” has a plot filled with highly emotional undercurrents and intelligence: a 27 years old unmarried woman, Taeko, from Tokyo, visits countryside while reminiscing over her childhood of when she was a shy and creative fifth grader at school. Through her nostalgia, we get to learn about many situations which have had the biggest impact on her up until her present life, and get to understand her past choices, hopes and regrets. Directed by Isao Takahata (“The Tale of the Princess Kaguya” (2013) and “Grave of the Fireflies” (1988)), “Only Yesterday” is a beautiful animation which touches upon such often overlooked in films/animations topics as the “grip” of persistent childhood memories and their traumatic or positive impact on one’s later life and development, the benefit of re-discovering oneself in a different setting, the importance of staying true to oneself no matter the circumstances, and the imperative of letting go and forgiving “one’s former self”, as well as people from one’s past, to be able to carry on and lead a happy, fulfilled life. Continue reading “Studio Ghibli: “Only Yesterday” (1991) and “Kiki’s Delivery Service” (1989)”