“Death of a Cyclist” Review

Death of a Cyclist (Muerte de un ciclista) (1955) 

Death of a Cyclist is a Spanish-language film that was the winner of the FIPRESCI Award at the 1955 Cannes Film Festival. Directed by Juan Antonio Bardem (Main Street (1956)), this social realist film tells of a couple of secret, privileged lovers residing in Madrid who are involved in a hit-and-run accident involving a cyclist. Afraid that their illicit affair will be known to everybody, María José de Castro (Lucia Bosè) and Juan Fernandez Soler (Alberto Closas) failed to stop and help a cyclist who they accidentally hit in their sports car. What follows is a dangerous game of trying to guess who knows what and who can use that information against whom. Parallel to this, Juan Soler, a university instructor, goes through some kind of an existential crisis which leads to surprising results. Death of a Cyclist is one intriguing thriller with Hitchcockian elements. There is plenty in the film on the topic of class divide and the faults of the upper class. Although frustrating at times with a questionable ending, Death of a Cyclist also benefits from nuanced directing which brings out the best in this story about crime and attempts at redemption.

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