Directed by Joseph Losey, The Servant is considered by some to be one of the finest British films. It tells of Tony (James Fox), a flamboyant member of the upper class, who has just moved in to his central London residence after a period spent in Africa. He immediately hires a man-servant for himself, demure, respectful and knowledgeable Hugo Barrett (Dirk Bogarde). Hugo not only knows how to cook and take care of a house, but he is also an expert interior decorator and has been a gentleman’s servant for many notable Lordships. This tale of a friction between the upstairs and the downstairs reaches the zenith of tension when Hugo introduces “his sister” (Sarah Miles) to the household and when Tony’s own fiancée (Susan Stewart) decides to make the house her own dominion. The Servant works delightfully as a satire on class differences and servitude, showing a thin line that often separates usefulness from a nuisance, and kindness from submissiveness. This tale of hidden corruption has a frightening change of dynamics.
I got an idea for this post through winst0lfportaland his animation tag post. Borrowing some questions from it, I created my own tag. I love animations, and am a supporter and promoter of international animations (see my previous posts on Russian, French, Chinese and Japanese animations).
Favourite Disney animation?
Beauty and the Beast (1991).
2. Favourite non-Disney animation?
It is tempting to say “Spirited Away” (2001), but I have a soft spot for Howl’s Moving Castle (2004) and would like to make one day an in-depth comparison between it and “Beauty and the Beast” (1991) (a fun one since both are based on other source materials). I also love the works of Satoshi Kon and Makoto Shinkai.
3. Criminally-underseen animation you recommend to everyone?
The Illusionist (2010) is a lovely, heart-warming animation from Sylvain Chomet (“Les triplettes de Belleville” (2003)). In “The Illusionist”, a French illusionist finds himself unemployed and travels to Scotland. There, he meets a young girl and their destinies collide.
I would like to wish all my followers a very Merry Christmas and a Happy New Year! (Let 2021 be a happier and less stressful year for all of us!) Below I am presenting some of my favourite alternative film posters, which also includes a poster to Home Alone, a quintessential Christmas film. See also my previous posts – “Minimalist” Film PostersandMovie Directors’ Styles Reinterpreted As Architecture. Do you like “film art”? What are your favourite alternative film posters?
I. The “House Architecture” Posters
These are some of my favourite alternative film posters and they often get quite intricate. They work best when a story in a film revolves around one house, but also when there are “layers” to a film story, as in the case of Inception below.
Chinese director Zhang Yimou tells in his film, which is based on the novel Wives and Concubines by Su Tong, the story of a beautiful nineteen-year-old ex-university student Songlian (Gong Li) who decides to become a concubine in the 1920s China. After her decision, Songlian finds herself in the palace of “red lanterns” which has “four houses” for her husband’s four mistresses. She soon gets acquainted with the elderly and indifferent first Mistress, with the friendly and seemingly happy second Mistress and with the still young and beautiful, but jealous third Mistress. All is well, or is it? The palace’s strange, centuries-old traditions and customs first bewilder Songlian and then force her most shameful qualities out, as her husband randomly shifts the power between the four houses. Songlian soon finds herself in a miniature society and under the patriarchal dominance which she has never imagined to exist, with her husband employing arbitrary and complex policies of rewards and punishments to keep the mistresses in line. In this dangerous game, Songlian realises that she must learn to handle not only the three previous jealous Mistresses, but also her hostile maid Yan’er and the realisation of a lifetime imprisonment. Raise the Red Lantern is a psychologically-intriguing film about one oppressive world where the competition for power, hopelessness, despair and the weight of guilt all mingle as the palace changes people and makes them into forms it desires and the master has planned in advance. With the exquisitely beautiful cinematography (by Zgao Fei), Raise the Red Lantern is one of the most important films of the 1990s. 10/10
I missed writing the kind of posts where I preview films to be released at some future date (I previously wrote only three such instalments, one in 2015, one in 2016, and one in 2017). Now, I am talking about three films I am excited to watch in 2021, and all three of them are based on books – Paul Greengrass’s News of the World, Ridley Scott’s The Last Duel and Adrian Lyne’s Deep Water.
News of the World (2021)
Story: Based on a novel by Paulette Jiles, this film tells the story of Captain Kidd (Tom Hanks) who, in the year of 1870, travels across the US, spreading “the news of the world” to people. When he comes across a little girl, who has recently been an Indian native and is now left abandoned and homeless, he decides to take charge of her and return her to her real family in South Texas. The issue for the Captain, though, is that Johanna still considers herself a Kiowa, an Indian native, and, as the two travel together, they soon discover many things that bond them in the increasingly hostile and threatening world around them.
It was with great sadness that I heard yesterday of the passing of Sean Connery, a Scottish actor and one of the film legends. He was a man of incomparable charisma whose acting and screen presence were always distinguishable and memorable. Possessing innate smoothness, gentleness and his very own recognisable sense of masculinity and vigour, he emanated the persona of a true gentleman and a real action hero on screen and both at the same time, inspiring warmth and a sense of awe in others. If there ever existed an actor or just a human being working in a film industry who personified the word “class”, it was Sir Sean Connery.
Sean Connery won his Best Supporting Actor Academy Award for his role in The Untouchables , but most people remember him as being the world’s first ever James Bond, which was also his breakthrough role. And, Sean Connery will always be the James Bond in my eyes. Gallant and almost too nonchalant, but caring, romantically-involved, but objective, Connery was the most perfect cast for Fleming’s famous Agent 007. With his incomparable screen presence, he could get everyone following his character, no matter the location or the plot. Dr. No  and From Russia With Love  were good films, but my favourite James Bond film with Sean Connery has to be Goldfinger . I think it was Alec Baldwin who put it best in his obituary article of the great man, saying that Connery had a “trifecta dynamic” and he knew [instinctively] “where masculinity, sensitivity, and intelligence intersected“. There had been other handsome actors before and after Connery, but I think it was Connery’s delicate combination of “masculinity, sensitivity and intelligence“, as well as his skill of presenting himself and his character’s actions as immersively as possible, that helped make him into a star.
Meshes of the Afternoon is a 1943 experimental film by Maya Deren. It is known for its sense of unease, eeriness and mystery – all accomplished using a minimum number of objects and a single location. In this 14-minute film, the most commonplace and everyday objects take sinister contours as the director plays impressively with dream and reality using repetition, silence, innovative camera angles and unexplained sequences. Meshes of the Afternoon undoubtedly influenced such directors as David Lynch (Mulholland Drive(2001) and Roman Polanski (Repulsion(1965)), and was definitely a film ahead of its time.
The Red Shoes is about the rise to stardom of a dancer Victoria Page (Moira Shearer) who falls under the strict control of one charismatic, but elusive and mysterious company director Boris Lermontov (Anton Walbrook). Page becomes truly famous after appearing in Lermontov’s ballet “The Red Shoes”, but soon finds herself torn between her new love – composer of “The Red Shoes” – Julian Craster (Marius Goring) and her professional life. The film is brilliant in terms of cinematography, camera-movements and visual impact. The beautifully-designed production and the ballet, that incorporates a story of one girl whose red shoes take control over her life, are memorable. The film also makes certain observations on the creative process of a theatre/ballet production, and on art and artistic input. It asks – what price a person will be willing to pay for the sake of artistic glory and full professional realisation in theatre/ballet? The story of one girl whose red shoes control her (a Hans Christian Andersen fairy-tale) mirrors the story of Victoria Page who, ultimately, has to choose between her romantic interest and her blind devotion to the demands of the man behind the “The Red Shoes” genius – Boris Lermontov. Continue reading “Recently Watched: Films: The Red Shoes (1948), West Side Story (1961) & Black Narcissus (1947)”→
“Anton was a dream” (Jeremy Saulnier, director of Green Room (2015)).
This is a moving documentary that explores the life of actor Anton Yelchin (Star Trek (2009), Green Room (2015), Thoroughbreds(2017)), from his birth in Russia to the champions of figure skating to his last films made. This is an engaging and respectful feature that aims to pay tribute to a person of outstanding acting ability who was taken too soon (died on 19 June 2016 when he was crashed between the brick wall and the fence when his car rolled back on him in his own parking space at home in Los Angeles). Through his own footages, as well as the interviews conducted with his parents, close friends and co-workers, we find out what kind of a person Anton really was – extremely devoted to his loving parents, loyal to his friends, kind, generous, curious, intellectual, funny, goofy and passionate about many aspects of life. He possessed great charisma and acting skills, having started acting at a very young age and then later acting alongside such stars as Anthony Hopkins, Robin Williams, Albert Finney, Jodie Foster and Willem Dafoe, to name just a few. It is safe to say that,given his talent, he was just on the brink of “breaking through” in his career and just needed that one very successful and big movie that will escalate his career much further, a movie that, sadly, will never now come. By recognising him as an absolute star now, we can at least pay tribute to this potential, to the person who was so passionate about acting and films (trying his hand at directing too!) and whose kind, curious and sparkling personality will always be remembered. Continue reading “Recently Watched: Documentaries: Love, Antosha (2019), Tower (2016) & 13th (2016)”→
Christmas is getting nearer, and I hope everyone is excited! People are probably also excited about Disney’s Frozen II, and, for those who do not know, I want to draw attention to the plagiarism case below, concerning the Frozen (2013) teaser trailer (the first video below) and the short animation titled The Snowman by independent animators Kelly Wilson and Neil Wrischnik (the second video below – access by following the link since it is imossible to watch it on wordpress)). This case was settled out of court in 2015. I previously talked in my review of Frozen how the animation relied heavily on the conceptual story and character vision from Hans Christian Andersen’s tales (which is fine), as well as on the romance from Anastasia (1997) (which is also ok), but it seems that, from the very beginning, the Frozen franchise was off to a start that involved blatant stealing and zero acknowledgement. At the preliminary hearing, Judge Chhabria ruled that “the sequence of events in both works, from start to finish, is too parallel to conclude that no reasonable juror could find the works substantially similar“. With the world’s most creative brains at Disney/Pixar headquarters, they still could not come up with their own concept for a teaser trailer. The similarities are painfully evident, and if Disney did not think so, they would have battled it in court, rather than settling for an undisclosed sum to be paid to Wilson and Wrischnik. And, Wilson and Wrischnik were paid by Disney.
This hobby blog is dedicated to movie nerdom, nostalgia, and the occasional escape. In the late 90s, I worked at Blockbuster Video where they let me take home two free movies a day. I caught up on the classics and wrote movie reviews for Denver 'burbs newspapers and magazines. Today, I continue to revisit the old and discover the new on the screen. Comments and dialogue are highly encouraged. This year, I'm excited to collaborate with other writers via SLICETHELIFE in which we will share our movie genre favorites in our 2021 Movie Draft!