The Nightingale is the latest film from Jennifer Kent, director of The Babadook (2014). In this film, the location is Tasmania and the year is 1825. A young Irish convict woman seeks revenge for a terrible act of violence once inflicted upon her family. The story sounds interesting and the film seems to gorgeously recreate the past setting. In “brutality” on display, The Nightingale reminds me of a very-hard-to-watch film Brimstone (2017) with Guy Pearce and Dakota Fanning, meaning that this film will also not be for everyone.
From Ari Aster, director of impressively disturbing Hereditary (2018), here is the trailer to the new horror movie Midsommar. The plot is about a group of friends who travel to a small village in Sweden for a festival that only occurs once every ninety years. The film stars Florence Pugh, who impressed in Lady Macbeth (2017), as well as Will Poulter (The Little Stranger (2018)), Jack Reynor and William Jackson Harper. For my list of great films about cults, see here.
“The Favourite” comes from Yorgos Lanthimos, the director behind “The Lobster” (2015) and “The Killing of a Sacred Deer” (2017), and is due for a release on 23 November 2018 and 1 January 2019 in the US and UK respectively. This will be a period feature focusing on behind-the-scene intrigues at the court of Queen Anne of England, and the three leading ladies are Olivia Colman, Emma Stone and Rachel Weisz.
Luca Guadagnino (“Call Me By Your Name” (2017) and “I Am Love” (2009)) is rebooting Dario Argento’s cult classic of the same name, and from the many plot similarities, it can be described as a remake (despite what actors may say). There seem to be both similarities and differences in the presentation: the music hints at the original, but some visuals are innovative. My favourite element here will be Tilda Swinton as Madame Blanc, a clever cast. It will also be interesting to see her character’s antagonistic tension and relationship with the character of Dakota Johnson. My concern is that I hope the film will remain dark and provocative with nice scary jumps, and not become too ridiculous. I am also disappointed with the cast of Johnson. She seems to be good here, but my belief is that someone younger with more remarkable features should have been cast in the lead role. Since it is Luca Guadagnino, a stylish and thought-provoking presentation is guaranteed. The original material is also intriguing, so it promises to be a good film. Continue reading Luca Guadagnino’s “Suspiria” and Steve McQueen’s “Widows” Trailers