The UEFA European Football Championship 2020 is underway and we now have 16 country finalists who will compete for the coveted trophy. That led me to the idea to recommend 16 films from each of the 16 European countries currently remaining in the competition:
AUSTRIA : The Counterfeiters (2007) (dir. Stefan Ruzowitzky)
Michael Haneke (The Piano Teacher (2001), The White Ribbon (2009), Amour (2012)) is the greatest Austrian film director, but the country also has other talent to boast about. Stefan Ruzowitzky, born in Vienna in 1961, is known as director and writer of The Counterfeiters, an Academy Award-winning film based on a memoir by Adolf Burger, a man who was imprisoned by the Nazis for forging baptismal certificates to save Jewish people and who was later forced to work on the Nazi Operation Bernhard designed to destabilise UK economy.
Continue reading “Film Recommendations based on 16 Finalists of the UEFA European Championship”
Chico & Rita (2010)
Before La La Land (2016), there was Chico & Rita, an adult Spanish animation which was nominated for an Academy Award and won the prestigious Spanish Goya Award for best animation. It tells the story of two star-crossed lovers, Chico and Rita, who meet and quickly fall in love in Havana, Cuba, and whose turbulent professional journeys make their love a real torment. Chico is a talented pianist with high ambitions and Rita is a stunning beauty with a voice of an angel and a desire to make it big. Pursuing the dreams of fame, both do not even realise how far from each other their destinies could take them. Even if crudely-drawn and sometimes frustrating to watch, Chico & Rita is still a charming story worth watching. Paying tribute to Afro-Cuban jazz and imbued with the nostalgia for the past, this animation is as much about trials of love as it is about passion for music.
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Death of a Cyclist (Muerte de un ciclista) (1955)
Death of a Cyclist is a Spanish-language film that was the winner of the FIPRESCI Award at the 1955 Cannes Film Festival. Directed by Juan Antonio Bardem (Main Street (1956)), this social realist film tells of a couple of secret, privileged lovers residing in Madrid who are involved in a hit-and-run accident involving a cyclist. Afraid that their illicit affair will be known to everybody, María José de Castro (Lucia Bosè) and Juan Fernandez Soler (Alberto Closas) failed to stop and help a cyclist who they accidentally hit in their sports car. What follows is a dangerous game of trying to guess who knows what and who can use that information against whom. Parallel to this, Juan Soler, a university instructor, goes through some kind of an existential crisis which leads to surprising results. Death of a Cyclist is one intriguing thriller with Hitchcockian elements. There is plenty in the film on the topic of class divide and the faults of the upper class. Although frustrating at times with a questionable ending, Death of a Cyclist also benefits from nuanced directing which brings out the best in this story about crime and attempts at redemption.
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Everybody Knows (Todos lo saben) (2018)
This mystery-thriller comes from the acclaimed director Asghar Farhadi (The Salesman (2016)), and stars such big-time actors as Penelope Cruz (Volver (2006)), Javier Bardem (Mother! (2017)) and Ricardo Darin (The Secret in Their Eyes (2009)). It seems therefore like this film can do no wrong, but, unfortunately, much does not go well in this latest by Farhadi. In this story, Laura (Cruz) travels from Argentina to Spain with her two children to attend her sister’s wedding. She arrives to a quiet Spanish village of her childhood and is happy to strengthen relationship with her large extended family. However, when Laura’s teenage daughter gets kidnapped, familial secrets come dangerously close to being revealed, and the pool of suspects thins to point to some family members. In Everybody Knows, the lead actors’ performances cannot be faulted, and the film has this one-of-a-kind ambiance of traditional rural Spain. The director also admirably tries to explore some curious familial situations. However, the problem with this film is that it does not become a clever mystery-thriller with tension surrounding the kidnapping and some twists to come. Instead, overlong Everybody Knows is all about tedious melodramatic scenes, with the feeling left that the script could have been considered for some local TV series. Even more unfortunately, what “everybody knows” in the story or the big reveal could easily be guessed in the first half of this well-meaning “mystery” movie. Continue reading ““Everybody Knows” Mini-Review”
Although there are six years separating the movies and they have distinct plots, “The Others” and “The Orphanage” have things in common, such as a Spanish production and a near-perfect execution.
The Others (2001)
“The Others” is a ghost horror movie directed by Spanish Alejandro Amenábar. It became the first film in history to receive the prestigious Spanish Goya Award in the Best Picture category for a film where not a line was spoken in Spanish (IMDB).“The Others” tells of a single mother Grace (Nicole Kidman) who, together with her two small children, Anne and Nicolas, lives in a remote house in Jersey just after the WWII. The household has changed a number of servants, and welcomed the arrival of three new ones: Mrs Mills, a housekeeper, Edmund Tuttle, a gardener and Lydia, a mute girl servant. After the servants’ arrival, the mother and her children start to detect intruders in their home, who sometimes leave very surprising traces.
Continue reading “Mini-Reviews: “The Others” & “The Orphanage””
In no particular order:
1) Abre los Ojos (1997)
2) All About My Mother (1999)
3) Volver (2006)
4) Pan’s Labyrinth (2006)
5) Sin Nombre (2009)
Continue reading “20 “Must-See” Spanish-Language Films”