Murder on the Orient Express (1974)
It is no wonder that Agatha Christie chose the Orient Express, once the most luxurious train in the world, as the setting for one of her fictitious crime scenes. From Paris to Istanbul, a journey of some 1,920 miles, will take passengers around 1883 (the date of its first launch) through exquisite landscapes in the total comfort of their seats and beds. “Murder on the Orient Express” was also inspired by the real incident which happened in 1929 when the train was forced to a standstill for five days due to heavy snow. “Murder on the Orient Express” (1974), directed by Sidney Lumet (“Twelve Angry Men” (1957)), could be said to be the first truly successful adaptation of a Christie’s novel, and the last film viewed by Agatha Christie herself, who approved it. Boasting an unbelievably starry cast, including such names as Ingrid Bergman, Lauren Bacall, Sean Connery, Anthony Perkins and Vanessa Redgrave, this adaptation is both true to the novel and very-well acted, deserving high praise.
Continue reading Agatha Christie: Murder on the Orient Express (1974) and Murder on the Orient Express (2017) Film Reviews
For those who are unfamiliar with Sam Mendes’ work and its quality, ‘Skyfall’ may appear just like another action flick of some average quality, just another James Bond film full of the same old tricks recycled once again. However, this is the film of Sam Mendes, which means that this first impression is false. ‘Skyfall’ is a delightful surprise, which has the potential to exceed everyone’s expectations. The film is intelligent, stylish, funny and very well-acted. It is certainly better than the previous two films in the James Bond series. In this film, James Bond (Daniel Craig), badly wounded on the mission to Turkey and unfit for service, embarks on yet another mission to stop a former ‘00…’ MI6 agent from completing his evil plan.
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Miller’s Crossing (1990)
Loosely based on Dashiell Hamett’s ‘Red Harvest’, ‘Miller’s Crossing’ is an intelligent gangster film shot in the style of a film noir, directed by Joel Coen, and produced by Ethan Coen and Mark Silverman. The film centres on Tom Regan (Gabriel Byrne), who is the “right hand” of Leo O’Bannon (Albert Finney), an Irish-American political boss, running a Prohibition-era city somewhere in the US. Leo has a “beef” with Johnny Casper, a gangster and his Italian rival. Leo’s girlfriend is Verna, whose brother Bernie Bernbaum has a contract on his life and is wanted dead by Casper. The idea here is that by “giving” Bernie to Casper to kill, Leo and Casper can come to a peaceful understanding and agreement. However, Leo is reluctant to do so because of his girlfriend, who wants to see her brother alive. Tom thinks that Leo is making a mistake. However, Tom also has an affair with Verna, seemingly being in love, and therefore is also, at least “deep inside”, is trying to protect her. When Tom starts to “play” both sides, some unexpected events start to take place.
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