25th Hour (2002)
Today (11th September) marks 18 years since the 9/11 terror attacks in New York, USA, and I thought I would review a movie that incorporates the post-9/11 atmosphere – Spike Lee’s film 25th Hour – as a tribute so that we never forget what happened and what it meant. Spike Lee (Do The Right Thing (1989), BlacKkKlansman (2018)) based his film on a book by David Benioff that tells of Montgomery “Monty” Brogan (Edward Norton), a man with a criminal history, who has just one day to enjoy his freedom before he goes to jail for seven years for drug-related offences. We follow Monty on this day, as he reflects on his past and the mistakes he had made in his life. With the beautiful score by Terence Blanchard, 25th Hour is a film that showcases the post-9/11 grief and anxiety to the fullest, while also demonstrating the extent people are pushed to lead a better life. Copying with grief and coming to terms with tragedy and one’s life mistakes are just some of the issues explored. 25th Hour may be too long, not entirely cohesive and thin plot-wise, but, with its vivid images, it somehow seems to speak directly to one’s heart and soul, being a film about hope, guilt and attempts at redemption, making it somehow very significant. Continue reading ““25th Hour” Review”
Match Point (2005)
As some of my readers will know, especially those based in the UK, last Sunday was the men’s final of the Wimbledon Championships 2017, the oldest and, certainly, most prestigious tennis tournament in the world. This got me thinking about films which reference tennis, and I decided to review Woody Allen’s “Match Point“. In this film, Chris Wilton (Jonathan Rhys-Meyers), an ex tennis pro, comes from humble background, but slowly makes his way to the society’s upper class by dating and then marrying the sister of one of his students at a posh tennis club in London. However, this is all far from being a plain-sailing feat for Chris, because along the way he gets entangled with a seeming femme fatale and a starting actress Nola Rice (Scarlett Johansson), who may as well bring his undoing. If I did not know that this was Woody Allen’s film, I would never have guessed. This film not only plays like a dull TV soap opera for most of its time, it is also filled with pretensions and clichés regarding the lives of upper classes in London; has a list of totally unlikable characters; and is devoid of humour.
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The Autopsy of Jane Doe (2016)
“Everybody has a secret; some just hide it better than others” (Tommy in “The Autopsy of Jane Doe”).
André Øvredal, better known for well-received “Troll Hunter” (2010), here presents “The Autopsy of Jane Doe”, the kind of a horror film which provides one with an instant “horror” gratification. It has enough good scares, from hard-to-stomach surgical images to frightening otherworldly encounters, and an interesting story setting to keep things interesting until very end. Here, father Tommy and son Austin, medically-qualified pathologists, receive a new corpse at their family-run business to establish a cause of death. The corpse belongs to an unknown young woman who was found at a multiple murder crime scene. As she is unknown, she is assigned a name Jane Doe, and the two begin their work on her swiftly, only to discover later that Jane hides too many mysteries. As the weather outside of their home worsens, father and son soon realise that they got much more on their hands than they bargained for, and what, on the first glance, begins like a routine autopsy may actually result in something very different.
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