L’Amant Double (Double Lover) (2017)
François Ozon (“Frantz” (2016), “In the House” (2013)) is a French director who is uninhibited when it comes to portraying sexuality/erotica on screen and was exploring it freely in his past films “Jeune et Jolie” (2013) and “Swimming Pool” (2003). His latest psychological thriller “L’Amant Double” is another testament to this director’s fascinating way of portraying psychologically interesting scenarios and sensuality/sexuality on screen. Based on a book by Joyce Carol Oates, “L’Amant Double” presents Chloé (Marine Vacth), a young woman who seeks help for her psychosomatic stomach pains from a psychoanalyst Paul (Jérémie Renier). It is not long before Chloé and Paul fall in love and move in together, and all is going well until Chloé becomes troubled by her lover’s personal secrets. This erotically-charged film is not without its problems, but it explores the nature of personal identity from an interesting angle, portrays sexually-charged romance unflinchingly, and plays with our beliefs, expectations and what-if questions. In the end, ‘L’Amant Double” becomes a film not so much about an obsessive romance and morbid fascinations as about the question of the extent to which one’s imagination can overrun one’s sanity and eventually completely undermine one’s perception of reality.
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Dead Ringers (1988)
“Am I really that different from Beverly?” – Elliot
“You really are…” – Claire
David Cronenberg’s 1988 feature “Dead Ringers” is the director’s “trademark” movie starring Jeremy Irons, and loosely based on a real-life story of identical twin brothers working as gynaecologists in New York. The movie closely follows Elliot and Beverly Mantle (both played by Jeremy Irons), who share their lives so closely that they not only divide their professional tasks among themselves, but also date the same women. However, their extreme closeness and obsessive working trends, as well as the appearance of a certain woman (Geneviève Bujold), soon results in their well thought-out life patters spinning out of control. The film’s story is fascinating and Cronenberg-style components are well presented, but what makes this movie irresistible is Irons’s brilliant performance. Continue reading “Dead Ringers” Review
Eastern Promises (2007)
“Eastern Promises” is David Cronenerg’s 18th big film starring Viggo Mortensen, Vincent Cassel and Naomi Watts. The script is written by Steven Knight, better known for “Amazing Grace” (2006) and “Locke” (2013), and the movie starts with a young Eastern European girl dying during childbirth, leaving her baby girl and a diary behind, which is then taken into care/examination by a nurse called Anna (Watts) in a London hospital. Upon the diary’s examination, Anna discovers that it is very probable that the young girl has suffered badly at the hands of certain individuals, which takes her deep into the seat of a London-based Russian mafia and its operation.
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A Dangerous Method (2011)
With “A Dangerous Method“, David Cronenberg (director) has the plan to immerse the audience into the world of a forbidden love affair and an intellectual discourse on the fascinating topic of human psychiatry. The film follows the complicated working relationship between two of the most prominent psychoanalysts of the 20th century, Professor Freud (Viggo Mortensen) and Dr Jung (Michael Fassbender), as well as shows Dr Jung’s sophisticated affair with his “hysterical” Russian patient Sabina Spielrein (Keira Knightley). Although nearly all the actors in the movie give praise-worthy performances, the film is also emotionally empty, predictable and, ironically, generally uninteresting.
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A History of Violence (2005)
David Cronenberg’s ‘A Dangerous Method’ (2011) is coming to the UK’s cinemas in February 2012, giving a good pretext to review one of the director’s most violent, action-driven and thought-provoking films – ‘A History of Violence’. Cronenberg excels himself in this film, blending a complex personality study and raw violence to a very satisfying result.
The film’s plot is straightforward. Tom Stall (Viggo Mortensen) is an ordinary, law-abiding family man who runs his own diner in a small town in the US. His settled daily routine changes when he involuntarily becomes a local community hero after protecting his employees from some vicious gun men. From then on, his family is stalked by members of an Irish-American mob who are convinced that Tom Stall is Joey Cusack, a man from Philadelphia with a violent past. His wife Eddie (Maria Bello), his son Jack (Ashton Holmes) and his young daughter all feel overwhelmed by the changes. After a shooting incident, whereby Tom kills one of the mob guys, Carl Fogarty (Ed Harris), Tom finally confesses that he was Joey in the past, but has left that life for good. Later, Tom receives a call from his brother Richie Cusack (William Hurt) telling him to come to Philadelphia to see him. Tom does just this, and after a confrontation with his brother, kills him. The ending, depicting Tom coming home from Philadelphia to find his family at a dinner table, is very thought-provoking because, although his children are seemingly prepared to forgive him, it is unclear whether his wife is capable of accepting him into her life again.
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