Rabbits is a series of short surreal films with the overall running time of forty minutes. It features three humanoid rabbits (two female and one male) in one single room. They sit on a sofa, enter and go out of the room, talk to each other and recite poetry. Through eerie music, rabbits’ nonsensical dialogue and strange visions, the viewers may discern that something truly unsettling has happened, is happening or is about to happen. Rabbits is a good example of a minimalist experimental short which uses the lightning, music and the theme of inexplicability to create feelings of uneasiness and barely perceivable fright. Here, inexplicability is key. Uneasiness lies in the inexplicability. Watching the film, the viewers may start pondering: “what is that?”, “what is happening?”, “what is the meaning of all this?” The meaning just about escapes us, even though we definitely sense that the three rabbits are being terrorised by something. The precise cause of what is going remains unclear and the underlying fear is transmitted to us through the specific “trigger words and phrases”, including “coincidence”, “a man in a green suit”, “I hear someone”, “It was red”, “We’re not going anywhere” and “I’m going to find out one day”. These words and phrases stand for some hidden distress. David Lynch proves once again that inexplicability and strangeness alone will sustain the interest.Continue reading David Lynch: “Rabbits” (2002)
‘Most critics couldn’t stop talking about it’ (Keith Kimbell, Metacritic).
The now Sundance Festival’s favourite, Shane Carruth, came in 2013 with his second major film titled ‘Upstream Colour’, a film to rival his brain-wrecking ‘masterpiece’ – ‘Primer’ (2004). Revered by critics worldwide, Upstream Colour’ starts off with a thief who kidnaps a woman and drugs her into a game of manipulation to relieve her of her possessions. From then on we see the unfolding of probably some of the most confusing and perplexing events on screen in years. The audience is confronted with such deep philosophical/psychological, biologically-themed topics as the essence of nature, cycle of life, free will/determinism, etc. This existential feel is present throughout the film’s 96 minutes’ duration.