Tell Me Who I Am (2019)
Any film or documentary that centres on identical twins and their relationship is fascinating in its own right, but if that film or documentary also involves the case of total amnesia, dark secrets and completely buried past, then it becomes one of the most interesting ever filmed (at least for me). Tell Me Who I Am is based on a memoir of the same name by twins Alex and Marcus Lewis, and Joanna Hodgkin, and tells the real story of Alex Lewis, who lost all his memories when he was involved in a motorcycle accident at the age of 18. From that age onwards, Alex had to rely on his identical twin brother Marcus to tell him everything – from how to tie his shoelaces and ride his bicycle to who he was and what were the relationships inside his family. As time passes in the story, however, Alex starts to doubt that Marcus tells him everything. Tell Me Who I Am is too brutal in its portrayal of the truth and distressing because of the subject matter, but it is also a fearless exploration of our reliance on memory that is always an important element dictating our sense of identity and our relationships with others. The documentary presents a powerful and often fragile relationship between two identical brothers torn apart by a dark family secret.
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I’m Thinking of Ending Things (2020)
Charlie Kaufman’s newest film is a psychological drama with elements of “magical realism”. In the story, one young woman (Jessie Buckley) travels in a snowstorm with her boyfriend Jake (Jesse Plemons) to meet his parents in their farmhouse. She is one eccentric and “artsy” person who is unsure of her future with her boyfriend and who often receives mysterious messages on her mobile phone. That is all we can be sure of because, the rest, including all the details, is soon called into question as Jake’s parents start behaving oddly and the characters are forced down the memory lane. Unfortunately, all the philosophy, psychology, good acting and the sumptuous cinematography by no other than Łukasz Żal, cinematographer behind Cold War (2018), cannot rescue this latest cinematic riddle by Kaufman. Wrapped in layers upon layers of tedious and predictable poetic and philosophical musings (or rather outbursts), the film becomes bland very early on and no pretty decorative “wrapping” (including all the wonderful design and wallpaper in the film) can hide the fact that, inside, our cinematic “enigma” is one weird mix of different, well-trodden on, pretentious and almost meaningless ideas.
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Directed by Angelina Jolie, and featured at the forthcoming Toronto International Film Festival, “First They Killed My Father” promises to be a powerful film. See also the list “My 10 Favourite “Human Rights” Films“.
Synopsis: One year after the existence of the afterlife is scientifically verified, millions around the world have ended their own lives in order to “get there”. A man and woman fall in love while coming to terms with their own tragic pasts and the true nature of the afterlife.