I. Vertigo (1958)
Vertigo is probably the most “philosophical” of all Hitchcock films. Whatever angle you take (the detailed “stalking” scenes, the acting, the object symbolism, etc.), the beauty of Vertigo comes through, overwhelming the viewer. Set and shot on location in San Francisco, Vertigo is a story of obsession that focuses on Scottie Ferguson (James Stewart (Anatomy of Murder (1959)), a former detective suffering from acrophobia (an extreme fear of heights) who is tasked with following one woman by her husband – Madeleine (Kim Novak), because she might be a danger to herself. This film about mistaken identities, grief and seeking love at all costs is also a nuanced psychological thriller. I can’t say I enjoy the very slow pace of Vertigo, but it is an entrancing cinematic experience nevertheless and for a multitude of reasons deserves its number one spot.
II. Psycho (1960)
Psycho is my confident number two choice. This is a quintessential Hitchcock film with some unbelievable twists and deep psychology. Suspense is the word here. In this story, Marion Crane (Janet Leigh) steals quite a lot of money from her employer’s client and hits the road. However, she needs to rest somewhere on her way to her “financial freedom” and chooses the Bates’ Motel. You need to watch the film to know what happens there. In my review, I talked about how “Hitchcock plays expertly with its audience’s imagination and formed beliefs” in this film, that was also ground-breaking in many ways upon its release. Psycho is a the film that stood the test of time.
Continue reading “Top 10 Films from Alfred Hitchcock”
I. The Prestige (2006)
Secrets to magicians’ tricks are often mundane – it is the way those tricks are performed which makes all the difference. Christopher Nolan’s “The Prestige” is a complex, clever film about two magicians competing against each other in the 19th century, but the film is actually based on a Christopher Priest’s 1995 novel of the same name. The novel starts in the present time, but, as in the film, we are being fooled and do not realise that we have had all the clues to the puzzle in front of us at the beginning. Whatever you thought was clever in Nolan’s film – the chances are that it is also in the novel.
II. Drive (2011)
Nicolas Winding Refn may have directed this stunning film and Hossein Amini (“Two Faces of January” (2014)) penned the script, but “Drive” is based on James Sallis’s 2005 novel of the same name. In fact, allegedly, the “Drive” producers first encountered the story by chance in Publishers Weekly. In the book, as in the film, it is the intriguing character study which becomes the focus. The merit should go to Refn for visionary creative choices, but the film was fledged out of the already existing story, which also feels strangely nostalgic for the decades long past. Continue reading “10 Films You May Not Know Were Based on a Book – Part I”
This will be my 100th film review and to celebrate the occasion I thought I would review one of my favourite of psychological horror films – Alfred Hitchcock’s “Psycho”. Adapted from a novel by Robert Bloch, this film is a real classic of psychological horror genre, which practically revolutionised the way horror films were shot ever since its premiere. Relatively innovative in how it presents the characters, story and the ending at that time, Hitchcock’s “Psycho” is as suspenseful and frightening as it is entertaining, and is definitely a “must-see” for anyone who has even a slightest interest in the genre.
Continue reading ““Psycho” Review”