In 2011, it was announced that Tim Burton is working on his version of Notre-Dame de Paris with Josh Brolin, but the project never moved beyond the early stages. This film was supposed to be an adaptation of Victor Hugo’s 1831 novel Notre-Dame de Paris, which tells the story of three characters’ lives entangling against the backdrop of medieval Paris. Esmeralda, a beautiful girl who often dances in the square in front of the Notre-Dame Cathedral, has become the object of ardent passion on the part of three distinct men: severe Archdeacon Claude Frollo, the hunchback and bell-ringer of Notre-Dame, Quasimodo and dashing Captain Phoebus.
Why this project had the potential to be great?
As far back as 2013, I wrote a post where I talked about 10 classics I would love to see made into major films and Victor Hugo’s novel was at the very top of my list. Tim Burton’s penchant for the unusual and the grotesque would have made this adaptation a dark, intriguing “feast for the eyes”, especially given all the recent advances in special effects technology which could render Quasimodo vividly and bring his world of old Paris and Cathedral-climbing to one magnificent spectacle. Tim Burton is great in establishing that “creepy fairy-tale” atmosphere (Sleepy Hollow (1999)) is one such example) that the film needs and he could have done the book justice. True, there were at least three other well-known cinematic adaptations of the book (in 1923, 1939 and in 1956), but, an “update” or a “remake” is desperately needed since the story is timeless and moving and, at least in my humble opinion, has such a big cinematic potential.
Kim at Tranquil Dreams and Drew at Drew’s Movie Reviewsare hosting this great blogathontitled “Ultimate 90s”, and I have decided to write an entry on Tim Burton’s “Batman Returns” (1992). It will be fair to say that I was practically brought-up on this film and, in many ways, this film reflects my understanding and experience of the 90s decade. Check out my review on Kim’s blogathon page or read it below!
Batman Returns (1992)
Three years after directing “Batman” (1989), Tim Burton came up with yet another Batman film “Batman Returns”. Visually stunning and well thought-out, the film is about the rise to power of Oswald Cobblepot/Penguin (Danny DeVito), who has been hidden away and shunned by society for 33 years in the city of Gotham. In his quest to become the mayor of Gotham, Penguin is unwillingly helped by a dishonest businessman Max Shreck (Christopher Walken) as the Penguin’s freaky followers intermittently wreck havoc on Gotham to discredit the present mayor and eventually make it look like the Penguin is fighting crime. Meanwhile, Shreck’s shy secretary, Selina Kyle (Michelle Pfeiffer), finds out too much about Shreck’s illegal activities, causing Shreck to try to get rid of her, and the result of his efforts is Selina’s transformation into a Catwoman. Bruce Wayne/Batman (Michael Keaton) is also not indifferent to the crimes orchestrated by the Penguin and is determined to stop the Penguin and his gang while having a love-hate relationship with Selina/Catwoman.
‘A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere’ (Washington Irving, ‘The Legend of Sleepy Hollow’).
‘Sleepy Hollow’ is Tim Burton’s seventh major film based on a short story by Washington Irving ‘The Legend of Sleepy Hollow’. The film is about Ichabod Crane (Johnny Depp), a young police inspector who, equipped with his progressive scientific expertise, arrives to a small village, Sleepy Hollow, filled with superstition and paranoia. There, Ichabod encounters old wealthy family, Van Tassels, who, like the rest of the village, is in fear of the Headless Horseman, who terrifies and commits gruesome murders in the village. Upon arrival, Ichabod promises to restore peace in the village and to discover the identity of the murderer. However, Ichabod is up for surprises as in order to complete his task he has to start questioning not only his scientific beliefs, but also matters of the heart, as he slowly falls for Van Tassel’s charming daughter, Katrina (Christina Ricci).
Tim Burton’s new film ‘Dark Shadows’ is a condensed version of the US TV series ‘Dark Shadows’, aired between 1966 and 1971. The year is 1790, and the plot centres on Barnabos Collins (Johnny Depp), the master of Collinwood Manor, and a rich and powerful son of Joshua and Naomi Collins. Barnabos has the misfortune of crossing his ex-lover Angelique Bouchard (Eva Green), a witch, who turns her witchcraft skill against him, burying him alive, killing her new lover and cursing his whole family. However, in the 1970s, Barnabos is accidentally freed from his tomb only to find his present family in ruins. Barnabos then promises his family the return of their lost fortune.