“Deliver my soul from the sword/My darling from the power of the dog” (Psalms, Preface to Thomas Savage’s novel The Power of the Dog (1967)).
The biggest mistake I probably made is reading the book ahead of the film. I read Thomas Savage’s novel The Power of the Dog awhile ago now and this reading experience definitely tampered with my experiencing Jane Campion’s film. The Power of the Dog centres on two very different brothers Phil and George Burbank (Benedict Cumberbatch and Jesse Plemons) living on a big ranch in Montana in 1925. If Phil is the very definition of a brutal force and “no-nonsense” attitude, his brother George is more subdued and caring. When George takes notice of a lonely widow Rose (Kirsten Dunst), falls in love her, and moves her and her alienated teenage son Peter (Kodi Smit-McPhee) into Burbanks’ property, the gap between the brothers only grows and soon full psychological warfare is raging. Through the film’s atmosphere alone (including production, camerawork, score and setting), as well as Cumberbatch’s mesmerising-in-its-zealousness performance, The Power of the Dog is a film of uncanny beauty and subtle power, whose biggest asset is the curious interplay of contrasts of all kinds: physical power vs. powers of intellect, kindness vs. ruthlessness, refinement vs. roughness, innocence vs. corruption, hypocrisy vs. honesty, and love vs. hate.
I missed writing the kind of posts where I preview films to be released at some future date (I previously wrote only three such instalments, one in 2015, one in 2016, and one in 2017). Now, I am talking about three films I am excited to watch in 2021, and all three of them are based on books – Paul Greengrass’s News of the World, Ridley Scott’s The Last Duel and Adrian Lyne’s Deep Water.
News of the World (2021)
Story: Based on a novel by Paulette Jiles, this film tells the story of Captain Kidd (Tom Hanks) who, in the year of 1870, travels across the US, spreading “the news of the world” to people. When he comes across a little girl, who has recently been an Indian native and is now left abandoned and homeless, he decides to take charge of her and return her to her real family in South Texas. The issue for the Captain, though, is that Johanna still considers herself a Kiowa, an Indian native, and, as the two travel together, they soon discover many things that bond them in the increasingly hostile and threatening world around them.
“Brimstone” is a highly controversial film produced by the Dutch director Martin Koolhoven. The film’s non-linear plot follows Liz (Dakota Fanning), a young girl and then woman, who is plagued by the harassment and persecution of one – the Reverend (Guy Pearce). Unflinching in the way it portrays highly controversial topics and beautiful in its execution, this film will be deemed “shocking” and “distasteful” by some, while others will only see in the film extreme courage, originality and intelligence. Either way, this atmospheric film will have a big impact on the viewer, and the sensations it will provoke will not fade away any time soon. In that vein, although “Brimstone” was misunderstood and fiercely criticised in the US, the film has been the centre of praise in Europe, and rightly so.