Tag Archives: Andrey Zvyagintsev

5 Films That Were So Evidently Influenced by Andrei Tarkovsky

All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart.” (Andrei Tarkovsky)

Andrei Tarkovsky (1932 – 1986) was a Soviet director and screenwriter known for his cinematic masterpieces, including Solaris [1972], Stalker [1979] and his debut Ivan’s Childhood [1962]. He inspired generations of film-makers, and Steven Dillon, a film historian, even went so far as to say that “much of subsequent film” was influenced by Tarkovsky’s work. Always favouring long takes, Tarkovsky belonged to a group of film-makers (for example, others are Robert Bresson (Pickpocket [1959]) and Yasujiro Ozu (Tokyo Story [1953])),that explored spirituality, the transcendental and the metaphysical on film, often focusing on morality or religion, and sometimes employing certain very vivid imagery to convey that. A list of films that were inspired by Tarkovsky’s work in some way or another will probably be never ending, but here I would like to focus on just five of them. Another thing to note is that Andrei Tarkovsky himself drew influence from such directors as Ingmar Bergman, Luis Buñuel and Akira Kurosawa, and this list is not to disparage any of the films listed, which are very good, but to simply draw similarities with Tarkovsky’s work and style.

I. Melancholia [2011] by Lars von Trier

Lars von Trier’s Melancholia is a work of beauty. Sublime and thought-provoking, Melancholia focuses on one well-to-do family that starts getting to grips with the fact that the end of the world may be near. Another planet is on the collision course with Earth and members of this family, who have a straining relationship with each other, respond differently to the news. Tarkovsky’s influence (including almost his entire filmography) can be seen or felt in almost every other shot of Lars von Trier’s 2011 work.

Continue reading 5 Films That Were So Evidently Influenced by Andrei Tarkovsky

BFI London Film Festival 2017

DIjUoFPWAAA-Q5s

Yesterday was the last day of the BFI London Film Festival 2017, which ran between 4-15 October 2017, and I thought I would comment on the Best Film Award winner, on some other nominees, as well as on some of the films that took part in various special galas. The films of the Festival reflected today’s global challenges, while also emphasising various nations’ peculiar traditions and highlighting truly personal stories behind broader themes.

I. Official Competition – Best Film Award: 

Winner – “Loveless (Andrey Zvyagintsev)

Coming from Andrey Zvyagintsev, the man behind such critically-acclaimed films as “Leviathan” (2014) and “The Return” (2003), “Loveless” is another well-made film about a couple who lose their son during difficult time of divorce. “Loveless” has already made commotion (in a very positive sense) at the Cannes Film Festival, and all points to a drama which as emotionally devastating as it is thought-provoking. 

Continue reading BFI London Film Festival 2017