“All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart.” (Andrei Tarkovsky)
Andrei Tarkovsky (1932 – 1986) was a Soviet director and screenwriter known for his cinematic masterpieces, including Solaris , Stalker and his debut Ivan’s Childhood . He inspired generations of film-makers, and Steven Dillon, a film historian, even went so far as to say that “much of subsequent film” was influenced by Tarkovsky’s work. Always favouring long takes, Tarkovsky belonged to a group of film-makers (for example, others are Robert Bresson (Pickpocket ) and Yasujiro Ozu (Tokyo Story )),that explored spirituality, the transcendental and the metaphysical on film, often focusing on morality or religion, and sometimes employing certain very vivid imagery to convey that. A list of films that were inspired by Tarkovsky’s work in some way or another will probably be never ending, but here I would like to focus on just five of them. Another thing to note is that Andrei Tarkovsky himself drew influence from such directors as Ingmar Bergman, Luis Buñuel andAkira Kurosawa, and this list is not to disparage any of the films listed, which are very good, but to simply draw similarities with Tarkovsky’s work and style.
Lars von Trier’s Melancholia is a work of beauty. Sublime and thought-provoking, Melancholia focuses on one well-to-do family that starts getting to grips with the fact that the end of the world may be near. Another planet is on the collision course with Earth and members of this family, who have a straining relationship with each other, respond differently to the news. Tarkovsky’s influence (including almost his entire filmography) can be seen or felt in almost every other shot of Lars von Trier’s 2011 work.
A day ago the Cannes Film Festival unveiled its Official Competition selection, and I thought I would comment on some films that were selected to compete in the main category. I will comment on roughly half of them – nine out of nineteen, and that does not mean that others are not great or will not win and become big, and I am merely guided by my own personal interests. The first thought is that I am impressed that the selection is varied (a comedy, a science-fiction film, a war movie, a period drama and a psychological thriller are all competing alongside other drama films), and I am also pleased to see Pedro Almódovar, Terrence Malick, Ken Loach, Dardenne Brothers and Xavier Dolan competing in the same category. The expected name of Quentin Tarantino and his film Once Upon a Time in Hollywoodwas not announced because the film is still, apparently, being edited. The films below are listed in no particular order.
I. Pain & Glory by Pedro Almodóvar
This film by Almodóvar stars Penélope Cruz and Antonio Banderas, and is about a film director who “reflects on the choices he’s made in life as past and present come crashing down around him” (IMDb). I love Almodóvar, but he has not been too even in quality regarding his latest films – though I thoughtThe Skin I Live In(2011) was great, his film I’m So Excited! (2013) was misguided. It is nice to see Almodóvar pairing again with his muse – Penélope Cruz, and something tells me this movie could be good since the director again is in the territory of drama. The trailercertainly looks both artful and moving, and perhaps comparisons will be drawn with Federico Fellini’s 8/12 (1963).
Debuting at the Sundance Film Festival2013, ‘Ain’t Them Bodies Saints’ seems to have little going for it apart from its rising stars, Casey Affleck and Rooney Mara. However, behind the façade, there is a lot to be said about this film directed by virtually unknown David Lowery, and it soon warms its way to the Grant Jury Prize nomination, winning the Special Jury Award, as well as forming part of the International Critics’ Week at the Cannes Film Festival 2013. With an unusual title – ‘Ain’t Them Bodies Saints’, the film is set in rural Texas and tells the story of a young couple, Ruth Guthrie (Rooney Mara) and Bob Muldoon (Casey Affleck) who are engaged in a crime spree. When an altercation between the police and the couple results in Bob being sent to prison, Ruth vows to wait for him. However, his escape from custody sets people who care about Ruth and her daughter to do anything in their power to prevent the couple’s meeting, making Bob to choose between his love, promise and duty, and his family’s safety.