The Oscars have again surprised the world, and, this time, thankfully, not because they gave an award to the wrong film. Parasite, a South Korean movie, has officially become the first foreign-language film to win the most prestigious award – Best Picture, a fact that is especially remarkable given that it was also nominated in the Best Foreign Language Film category and won there too. The Oscars have also been overly “white” this year, did not recognise some (more art-house) films and acting which are also deserving of praise and nominations (that acting in “The Lighthouse“!), and, for the year that is supposed to celebrate women in cinema-making and acting, did not acknowledge great acting and films made by women (for example, no women nominees in the category of Best Director). I will only very briefly comment on the 2020 wins in the following categories: Best Picture, Best Actor, Best Actor in the Supporting Role and Best Cinematography. Continue reading The Academy Awards 2020: Some Commentary
It seems it is all about “action and impact” with this 2016 Best Picture Academy Awards. I am rooting for “Spotlight” to win, but am also glad that “Room” was nominated. In my view, “The Revenant” had its fair share of flaws to be seen here so proudly taking the nominee’s place. We don’t see here either “Carol” or “Steve Jobs”, surprise, surprise, and what about “Inside Out”? The Academy had no trouble nominating the animations “Toy Story 3” or “Up” in the general film category of Best Picture in 2011 and 2010 respectively. Why such a perfect animation as “Inside Out” is ignored here now?