I. Ivan’s Childhood 
Andrei Tarkovsky‘s film is a a beautiful, powerful story set during the World War II. At its centre is a twelve-year old boy Ivan (Kolya Burlyayev) who has taken on the job of an adult, the dangerous job of spying on the Nazi forces that are invading his country. Tarkovsky was able to convey his own particular poetic vision of one fragile childhood that meets the horrors of war. Ivan’s tasks for the Red Army intermingle with his dreams of happiness as Tarkovsky shows the sheer impact of war barbarities on a young mind. This movie is both moving and unforgettable, and remains the best cinematic debut I have ever seen.
II. The Spirit of the Beehive 
The Spirit of the Beehive or El espíritu de la colmena comes from Spanish director Víctor Erice and stars young Ana Torrent in the lead role, giving the most exceptional performance. As so many other films on this list, this beautifully-filmed story portrays children coming to terms with the darker side of life. The story centres on two small girls in a Castilian village in 1940 during the Franco regime. Their fascination with Frankenstein leads to their imaginary world colliding with the harsh realities around them, especially when Ana encounters an escaped prisoner. Atmospheric and rich in symbolism, The Spirit of the Beehive is rightly considered to be one of the foremost cinematic achievements from Spain.
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This year’s Cannes Film Festival has got to be very different from the others, not least because of the pandemic and its consequence for the film industry. This year, the festival is held from 6 to 17 July 2021, and the Jury of the Main Competition are: Spike Lee, Mylène Farmer, Maggie Gyllenhaal, Jessica Hausner, Mélanie Laurent, Kleber Mendonça Filho, Tahar Rahim and Song Kang-ho. It is hard to talk intelligently about individual films (since so few details are yet known about them), let alone try to guess winners, but I have decided to single out just five films out of twenty-four competing entries in the Official Selection and talk about them:
I. The French Dispatch by Wes Anderson
From the director of Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) comes The French Dispatch, “a love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in “The French Dispatch Magazine” (IMDb). As you read this post further you will notice that this is not the only film in the Official Selection that blurs reality and fiction, and the cast here is to die for: Tilda Swinton, Frances McDormand, Adrien Brody, Bill Murray, Saoirse Ronan, Benicio del Toro, Léa Seydoux, Timothée Chalamet, Willem Dafoe, Elisabeth Moss and Edward Norton, to name just a few. It promises to be a fun and aesthetically-pleasing cinematic experience that also apparently pays tribute to such French films as Mon Oncle (1958) and Le Cercle rouge (1970) (the trailer).
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The Florida Project (2017)
Sean Baker, director of “Tangerine” (2015), has produced something special – a powerful, unforgettable film about the innocence, joys, freedoms and wonders of childhood played out in the context of social and economic exclusion in Florida, US. “The Florida Project” has been very unjustly ignored by the Academy in the forthcoming Best Picture Oscar race, an omission which is incomprehensible. “The Florida Project” is about a little girl Moonee (Brooklynn Prince) who lives with her young mother Halley (Bria Vinaite) in a simple motel with a big name “The Magic Castle” overshadowed by a large Disney resort. Moonee goes on happily with her daily activities full of wonder and mischief, barely registering the true hardship and deprivation which stalk economically-disadvantaged in the area.
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