This week is the National Classic Movie Day (on 16th May), but because I am already committed to do a classic film blogathon on that day, I thought I would share today my own pre-celebratory post, listing all the classic (or just pre-1970s) films that I reviewed on this website. Click on the titles to see full reviews or tell me which classic film is your favourite.Continue reading Classic Films
Yesterday was Jean Renoir’s 124th birthday, and, to pay tribute, I am reviewing two of this eminent French director’s most famous cinematic creations, which both influenced numerous films made after them and are now considered cinema classics – “The Rules of the Game” (1939) and “La Grande Illusion” (1937).
La Règle du Jeu (The Rules of the Game) (1939)
This film is, arguably, Jean Renoir’s greatest achievement. In the story, a circle of rich socialites meets up in a country house of Christine and her husband Robert de la Cheyniest. The complications then follow as it becomes apparent that aviator André Jurieux is deeply in love with Christine, and Christine’s own husband, Robert, is entangled in a love affair of his own. Coupled to this, Christine’s personal maid Lisette becomes interested in the recent addition to the servant staff – a poacher Marceau, despite having a husband. An intermediary between the couples is Octave, Christine’s trusted friend, played by Jean Renoir himself. “La Regle du Jeu” is very much an “upstairs/downstairs” film where the director satirises the life of the bourgeois on the eve of the war, often contrasting them with their servants. The socialites’ frivolousness, including the fleetness of their passions, are exposed and ridiculed, and, in the end, the characters’ paths and motivations collide and the ultimate sacrifice is made on the societal altar to self-absorption and complacency.