As some of you already know, today is the National Classic Movie Day and I am participating in the 6 Films 6 Decades Blogathon hosted over at Classic Film & TV Cafe. The aim is to list 6 favourite films from 6 different decades, and my choices are:
- The 1920s – Metropolis 
Truthfully, I can’t be too original in this category because I have not seen many films from the 1920s decade, but, from all those that I have seen, Metropolis is a definite stand-out. This German expressionist film by Fritz Lang is a sci-fi masterpiece made before any visual effects were even there to help underpin the futuristic concept introduced. Wonderfully acted and brilliantly directed, it tells of a wealthy magnate, Joh Fredersen (the master), who has a rift with his son Freder, who, in turn, feels uneasy about the oppression of people in his city. Meanwhile, a “mad” scientist proposes the unthinkable to the master just as Freder falls in love with a girl from the working class segment of the population. A very creative design of the film, its ambition and dramatic passages are just some of the highlights as the film also introduces a take on the Romeo & Juliet story, and works magically on both the hearts and minds of the audience. “The mediator of the head and the hands must be the heart!“
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Yesterday was Jean Renoir’s 124th birthday, and, to pay tribute, I am reviewing two of this eminent French director’s most famous cinematic creations, which both influenced numerous films made after them and are now considered cinema classics – “The Rules of the Game” (1939) and “La Grande Illusion” (1937).
La Règle du Jeu (The Rules of the Game) (1939)
This film is, arguably, Jean Renoir’s greatest achievement. In the story, a circle of rich socialites meets up in a country house of Christine and her husband Robert de la Cheyniest. The complications then follow as it becomes apparent that aviator André Jurieux is deeply in love with Christine, and Christine’s own husband, Robert, is entangled in a love affair of his own. Coupled to this, Christine’s personal maid Lisette becomes interested in the recent addition to the servant staff – a poacher Marceau, despite having a husband. An intermediary between the couples is Octave, Christine’s trusted friend, played by Jean Renoir himself. “La Regle du Jeu” is very much an “upstairs/downstairs” film where the director satirises the life of the bourgeois on the eve of the war, often contrasting them with their servants. The socialites’ frivolousness, including the fleetness of their passions, are exposed and ridiculed, and, in the end, the characters’ paths and motivations collide and the ultimate sacrifice is made on the societal altar to self-absorption and complacency.
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