Last year, in August, I posted a similar post – Unpopular Opinion Tag (Films), where I talked about three movies that people generally love, but I hated. Now, it is time to do a “reversal” post. Here, I will be talking about three movies that people or critics do not like much, but I actually thought there was merit in them or things to love. I am choosing to write about Premonition (2007), Sleeping with the Enemy (1991) and Joseph: King of Dreams (2000). Be warned, there may be some spoilers ahead.
I. Premonition (2007)
IMDb score: 5.9; Rotten Tomatoes score: 8%.
In 2007, Mennan Yapo shot this film starring Sandra Bullock, and, in my opinion, it does not deserve to be so unknown or all the negative reviews. The film is actually fascinating. It relies on a twisted Groundhog Day/”Deja Vu” (2006) concept to tell the story of Linda (Bullock), a wife and a mother, who finds her world turned upside down when she wakes up one day to learn that her husband is dead and another day – to find out that he is still alive. The truth is that her week days do not follow the natural timeline, but are randomly emerging, and Linda has to find out how her new reality works exactly to possibly save her husband from a deadly car collision. The film is clever (in a way it is a brain-teaser), and it is very interesting to follow Linda on her journey. The film makes you want to pay attention to small details to find out how they may change the next day. The film may lack some fundamental logic and, definitely, plausibility, especially towards the end, but it is so atmospheric, many of its other faults could also be forgiven. It is atmospheric in a way every scene is filled with the feeling that something macabre or threatening is lurking in the background (some unseen force), meddling with the natural clock, and music and the involvement of children make the picture even eerier and more effective. Couple this with the exploration of the issues of sanity and grief, and a few nice jumps, and the result is strangely compelling. It may not be this great thriller, but it is good enough for repeated viewings and Bullock does a good enough job.
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Today (11th) is Mother’s Day in the UK, and I am exploring a mother-daughter relationship on screen. At times, this relationship is sweet and inspiring, at other times – it is challenging and even devastating. Recent films that explore (partially or otherwise) a mother-daughter relationship include “Lady Bird” and “I, Tonya”, and the question arises – what other movies do the same? In no particular order:
I. Terms of Endearment (1983)
This is a comical tearjerker of a movie about the relationship of a mother and her daughter (Shirley MacLaine and Debra Winger), and its enduring nature. Underneath, the movie is about many things, such as accepting people for who they are and making peace. The film also features the performance from Jack Nicholson.
II. Mildred Pierce (1945)
The film perhaps shows a more destructive mother-daughter relationship, but a relationship nevertheless. Joan Crawford gives an outstanding performance as the mother of a spoiled daughter Veda (Ann Blyth) who only thinks about social-climbing and is ashamed of her mother’s blue-collar profession. Will there be a time when Veda goes too far and Mildred snaps?
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Phyllis Loves Classic Movies and The Flapper Dame are hosting the Duo Double Feature blogathon, and this is my contribution to this amazing and fun cinematic race. The blogathon showcases pairs of stars who made only two films together, and my choice is Julia Roberts and Richard Gere, who were in both “Pretty Woman” (1990) and “Runaway Bride” (1999). The onscreen couple consisting of Julia Roberts and Richard Gere may not be the most “homogeneous” of couples ever (for example, because the individual differences still show), but, in this case, it is the case of opposites attracting. The result is the onscreen chemistry which is palpable and undeniable, and which seems very “genuine” and moving, with its quirky and fun moments. This means that while Roberts and Gere’s iconic pairing in “Pretty Woman” might have been quite unforgettable, their chemistry in “Runaway Bride“, nine years after their first film, was still as solid.
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Money Monster (2016)
“Money Monster” is Jodie Foster’s latest feature film starring Julia Roberts and George Clooney and centering on TV presenter Lee Gates (George Clooney) who is taken hostage on the set of his financial TV show “Money Monster”. Alongside his TV crew, including producer Patty Fenn (Julia Roberts), Gates’s role becomes to decipher strange demands of a hostage-taker (Jack O’Connell), while keeping his crew alive. However, while the hostage-taking is taking place, the attention rapidly shifts from an individual bad action of upstaging and threatening a TV crew to a more global, fundamental and inherent flaw of a financial services institution.
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