This new animation comes from the creators of Inside Out (2015), and is about a music teacher and aspiring jazz pianist, Joe Gardner (Jamie Foxx) who dies by falling into New York City’s manhole. He begins his journey in the world “beyond” (“The Great Before”) and his reluctant companion becomes a yet-unborn soul called “22”. As it turns out, the two have much to teach each other about life, death and human destiny. Soul is best when it is rooted in simplicity, heart-warmness and quiet moments. It certainly loses some of its coherence and has many undercooked ideas, as well as mixed messages, when it tries to present the world of “The Great Before”. Nevertheless, the overall effect is that of one lovely animation, with one lovable character at its centre, which portrays New York City and the jazz scene beautifully. Soul has many redeeming elements, and those messages in the story that finally do get through effectively to the audience make it a wonderful cinematic experience overall.
Continue reading “Soul” Review
Based on a manga Tekkon kinkurito (1993) by Taiyo Matsumoto, Treasure Town is a breathtakingly-beautiful animation about two orphaned boys: street-wise and brave Kuro (Black), and lovable and innocent Shiro (White). Street-raised Yin and Yang of the cruel world around them, the boys defend their only home – the “lost city”, the “city of myth”, the Treasure Town. First their opponents are simply rival gangs, but they soon notice the encroachment of a much more powerful enemy: the yakuza. Members of the notorious Japanese mafia have certain drastic, commercial designs on the city, and the duo of brothers feel that they cannot just give away their decrepit town full of wonder, their small, bizarre universe, their home. This colourful, sometimes violent, but grimly-realistic, animation packs inside much commentary on social issues relevant to Japan, and has both, a touching emotional core (the brotherly love) and a clever structure and plot.
Continue reading “Tekkonkinkreet” (“Treasure Town”) Mini-Review
Based on Michael Lewis’s book of the same name; directed by Bennett Miller; and also starring Philip Seymour Hoffman, ‘Moneyball‘ tells the story of Billy Beane (Brad Pitt), a very ambitious general manager of Oakland A’s baseball team. Beane desires to see his team at the top of every league game, winning the World Series, but, due to the financial constraints, cannot realise his dream. Therefore, hiring a Yale economics graduate, Peter Brand (Jonah Hill), Beane uses statistical analysis, measuring in-game activity, to choose his team players. The players picked by Beane are those “undervalued” by others, even though they show a promising talent. Beane’s main premise here is that everyone in baseball asks “wrong questions”, for example concentrating on players’ usual winning record and subjective opinions of a player, rather than asking such objective questions as “which player on a particular team contributed the most to the team’s offense?” These are the principles of subermetrics or “baseball economics”. As Wikipedia states, sabermetrics is “concerned both with determining the value of a player or team in current or past seasons and with attempting to predict the value of a player or team in the future”.
Continue reading “Moneyball” Review