Disney-Pixar’s Luca is an Italian Riviera set animation that tells a story of a merman Luca and his family living underwater and having a hostile relationship with the people living on land. Luca is a boy curious about the outside world, though, and soon becomes very interested in the “land” people. He meets a fellow merman, an “expert” in people, Alberto, and together they venture to discover “the unknown” or the “land” things, already having a goal in mind – to get their hands on an Italian scooter Vespa. The duo soon encounters a local bully, Ercole, and an eccentric tomboy, Giulia, as well as try to win a local race. Luca is gentle and sweet, who can deny this? It also has its share of laugh-out-loud sequences and beautiful images of a small picturesque village. Apart from that, the animation is painfully generic and even forgettable. Its narrative is almost too insignificant, and if it were not for all the wonderful visuals and the Pixar/Disney name behind this “cartoon”, Luca would have qualified perfectly to be just yet another daytime television animation geared towards very young children.
I got an idea for this post through winst0lfportaland his animation tag post. Borrowing some questions from it, I created my own tag. I love animations, and am a supporter and promoter of international animations (see my previous posts on Russian, French, Chinese and Japanese animations).
1.Favourite Disney animation?
“Beauty and the Beast” (1991).
2. Favourite non-Disney animation?
It is tempting to say “Spirited Away” (2001), but I have a soft spot for “Howl’s Moving Castle” (2004) and would like to make one day an in-depth comparison between it and “Beauty and the Beast” (1991) (a fun one since both are based on other source materials). I also love the works of Satoshi Kon and Makoto Shinkai.
3. Criminally-underseen animation you recommend to everyone?
“The Illusionist” (2010) is a lovely, heart-warming animation from Sylvain Chomet (“Les triplettes de Belleville” (2003)). In “The Illusionist”, a French illusionist finds himself unemployed and travels to Scotland. There, he meets a young girl and their destinies collide.
This new animation comes from the creators ofInside Out (2015), and is about a music teacher and aspiring jazz pianist, Joe Gardner (Jamie Foxx) who dies by falling into New York City’s manhole. He begins his journey in the world “beyond” (“The Great Before”) and his reluctant companion becomes a yet-unborn soul called “22”. As it turns out, the two have much to teach each other about life, death and human destiny. Soul is best when it is rooted in simplicity, heart-warmness and quiet moments. It certainly loses some of its coherence and has many undercooked ideas, as well as mixed messages, when it tries to present the world of “The Great Before”. Nevertheless, the overall effect is that of one lovely animation, with one lovable character at its centre, which portrays New York City and the jazz scene beautifully. Soul has many redeeming elements, and those messages in the story that finally do get through effectively to the audience make it a wonderful cinematic experience overall.
Since the new trailerfor Pixar’s Toy Story 4 is already released, it is perhaps time to talk again about the trilogy and its dubious origin and inventiveness. Since the release of the first Toy Story animation in 1995, there have been comparisons made between it and The Jim Henson Company’s television puppet film for children of 1986 – The Christmas Toy. I will again revisit and comment on this comparison, taking into account the ideas presented in the new Toy Story 4 trailer. The point is that Toy Story is The Christmas Toy in a nutshell – creators of Toy Story surely must have thought about The Christmas Toy when they were creating Toy Story.
“Late Afternoon” by Louise Bagnall is this year’s Academy Awards nominee in the category of “Best Short Animation”. I somehow prefer it over other nominees, and the frontrunners for the award are considered to be Pixar-produced animation “Bao” and Pixar-related short “Weekends“. Other nominees are touching “One Small Step” and the hilarious and witty “Animal Behaviour“. Normally I enjoy intricate, detailed animations, but, in the case of “Late Afternoon“, I somehow appreciate the simplicity and like how the animation incorporates the concept of memory. Have you watched this year’s nominees yet? Do you have a favourite?
“Coco” is a simply delightful Pixar-produced Academy Awards nominee of 2018. Taking the Mexican folklore and tradition on board, it tells the story of Miguel, a boy living with his family of zapateros or shoemakers in Santa Cecilia, Mexico. Years before, the family imposed an absolute ban on music, because a father of some previous generation left his family to pursue a music career. However, in this present time, Miguel, unbeknown to his family, dreams of becoming a musician, practices music secretly and worships his music idol Ernesto de la Cruz. On the Day of the Dead, Miguel desires to enter a local music completion to fulfil his dream of becoming a musician, but, trying to do so finds him in the secret Land of the Dead, where his adventures only begin.