Soviet Animations: The Mystery of the Third Planet (1981), The Golden Antelope (1954) & Brothers Lu (1953)

I. The Mystery of the Third Planet (1981)

Based on a book Alice’s Travel by Kir Bulychev, The Mystery of the Third Planet was directed by Roman Kachanov and tells of the interplanetary travel of one spacecraft on board of which there are: a ten year-old girl Alice, her father biologist Professor Seleznev and their friend mechanic-pilot Captain Green. Their goal is to collect some rare animals from other planets to take them back to Earth, but they become unwittingly entangled in the web of machinations perpetuated by one evil person who randomly kills off rare birds-chatterboxes on other planets. At the heart of this mystery is also the disappearance of two legendary Captains, Kim and Buran.

The trio of adventurers in this story seem to complement each other perfectly: young and carefree Alice can be said to represent optimism, hope and “the future”; her father Professor stands for objectivity and neutrality, as well as “the present”; and the mechanic Green is the very definition of pessimism, and, arguably, “the past” (i.e. he is the most cautious person from the trio of friends and, undoubtedly, learnt that cautiousness from past mistakes). In their journey to collect rare animals and solve the mystery of the Captains, our heroes also tour the Two Captains planet and save a colony of robots from “an epidemic”. Humour and wit abound in this animation that has plenty of eccentric characters, the most memorable of whom is probably Gromozeka, whose forms were allegedly inspired by a tin can. French animation Fantastic Planet (1973) and Yellow Submarine (1968) may have provided a starting point or some influence on the Russian animators too who came up with some vivid lifeforms existing on other planets. Thus, apart from birds-chatterboxes that constantly repeat what they have heard before, we are also introduced to invisible fish, flying cows, flowers-mirrors and entities that take the form of the very last thing they “saw”. In sum, there is an Alice in Wonderland wonder permeating this film, and the memorable soundtrack only enhances the viewing experience.

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3 Russian “Fairy Tale” Animations

Previously I made this list where I talked about some Russian winter animations, so today I thought I would talk about other examples from the Russian/Soviet animation history. The three animations below were all made by the Soyuzmultfilm Studio between 1947 and 1964, and are good examples of animations made for children in the USSR that are based on fairy tales.

I. The Scarlet Flower [1952]

This animation is based on a story of 1858 by Sergei Aksakov who, in turn, re-worked the tale of Beauty and the Beast . In The Scarlet Flower, three daughters of one wealthy merchant request from their father overseas presents. The eldest daughter wants a diamond tiara, the middle daughter – a mirror that only shows the beauty of a person looking in it, and the youngest, Nastenka, says that she wants the Scarlet Flower. The father gets the presents for his two daughters in his travels, and the present for Nastenka he picks in the surroundings of one strange, enchanted castle. The hidden master of the castle is so angry at the father for taking the Scarlet Flower that he demands that the father sends one of his daughters to him.

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Russian* Winter Animations

I hope everyone had a very Merry Christmas, and I would like to wish all my readers and followers a very Happy New Year! It is that time of the year when one would like to come home, make a hot cocoa, switch on the TV and cosily tuck themselves under a duvet. Then, what better way to spend winter holidays than by watching some wonderful winter-themed animations? Below are three classic Russian-language animations from the Soyuzmultfilm Studio.

Snegurochka Poster2

I. Snegurochka (The Snow-Maiden) [1952]

Drawn from the Russian folklore and based on the opera by Nikolai Rimsky-Korsakov (previously also based on the play (1873) by Alexander Ostrovsky), this is the tale of Snegurochka or the Snow-Maiden, the daughter of Spring Beauty and Grandfather Frost. The Snow-Maiden, who has to shun direct sunshine because her natural abode is winter and frost, decides that she wants to spend some time in the company of humans, and is adopted by Bobyl-Bakula and his wife. What follows is the Snow Maiden’s life in a rural village among people there, and one can glimpse from that Russian traditions as the tale of one stunning beauty unsettling the whole village unfolds. The Snow-Maiden meets Lel, a youth with a talent for music, and is wooed to marriage by a reckless man Mizgir, previously a fiance of a local girl Kupava. The animation stands out because of its beauty and music (magnificent vocals). Most elements of this animation-opera are exquisitely drawn, especially the background. The story is sad, but also rather moving as it tells of the Snow-Maiden’s desire to experience/feel love at whatever cost; see the animation here

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