I. Ivan’s Childhood 
Andrei Tarkovsky‘s film is a a beautiful, powerful story set during the World War II. At its centre is a twelve-year old boy Ivan (Kolya Burlyayev) who has taken on the job of an adult, the dangerous job of spying on the Nazi forces that are invading his country. Tarkovsky was able to convey his own particular poetic vision of one fragile childhood that meets the horrors of war. Ivan’s tasks for the Red Army intermingle with his dreams of happiness as Tarkovsky shows the sheer impact of war barbarities on a young mind. This movie is both moving and unforgettable, and remains the best cinematic debut I have ever seen.
II. The Spirit of the Beehive 
The Spirit of the Beehive or El espíritu de la colmena comes from Spanish director Víctor Erice and stars young Ana Torrent in the lead role, giving the most exceptional performance. As so many other films on this list, this beautifully-filmed story portrays children coming to terms with the darker side of life. The story centres on two small girls in a Castilian village in 1940 during the Franco regime. Their fascination with Frankenstein leads to their imaginary world colliding with the harsh realities around them, especially when Ana encounters an escaped prisoner. Atmospheric and rich in symbolism, The Spirit of the Beehive is rightly considered to be one of the foremost cinematic achievements from Spain.
Continue reading “Childhood in Cinema: 10 Unforgettable Films”
I, Daniel Blake (2016)
Winner of the Palme d’Or at the Cannes Film Festival, Ken Loach’s I, Daniel Blake is a kind of film whose theme of the individual vs. the system, brutal honesty and underlying power make it a compulsory watch for everyone. The story centres on Daniel Blake (Dave Johns), a 59-year old widowed carpenter living in the UK, who is forced to rely on the benefits system (welfare system) to support himself after his doctor diagnosed him with heart problems. What follows is his experience being part of that system where a person is just a number and where there is little place for basic human understanding and compassion. All this may sound mundane and even dull, but the film is anything but that. Under Loach’s nuanced direction, we follow Blake as he makes friends with a single mother Katie (Hayley Squires) and does everything in his power to make his own and others’ lives bearable. The true power of this gentle, realistic film that displays the kindness of others and human hope, lies in showing ordinary people struggling on a daily basis against the system that is paradoxically designed to keep them in the same miserable place.
Continue reading ““I, Daniel Blake” Review”
A day ago the Cannes Film Festival unveiled its Official Competition selection, and I thought I would comment on some films that were selected to compete in the main category. I will comment on roughly half of them – nine out of nineteen, and that does not mean that others are not great or will not win and become big, and I am merely guided by my own personal interests. The first thought is that I am impressed that the selection is varied (a comedy, a science-fiction film, a war movie, a period drama and a psychological thriller are all competing alongside other drama films), and I am also pleased to see Pedro Almódovar, Terrence Malick, Ken Loach, Dardenne Brothers and Xavier Dolan competing in the same category. The expected name of Quentin Tarantino and his film Once Upon a Time in Hollywood was not announced because the film is still, apparently, being edited. The films below are listed in no particular order.
I. Pain & Glory by Pedro Almodóvar
This film by Almodóvar stars Penélope Cruz and Antonio Banderas, and is about a film director who “reflects on the choices he’s made in life as past and present come crashing down around him” (IMDb). I love Almodóvar, but he has not been too even in quality regarding his latest films – though I thought The Skin I Live In (2011) was great, his film I’m So Excited! (2013) was misguided. It is nice to see Almodóvar pairing again with his muse – Penélope Cruz, and something tells me this movie could be good since the director again is in the territory of drama. The trailer certainly looks both artful and moving, and perhaps comparisons will be drawn with Federico Fellini’s 8/12 (1963).
Continue reading “Cannes Film Festival 2019: Official Competition Selection”